倒计时2天｜言午画廊参加2025香港Art Central | 展位B26

言午画廊Xu Gallery

即将携艺术家阳新、袁野、庄红艺作品参加

2025年香港第十届Art Central

将于2025年3月26至30日于香港中环海滨

与各位艺术爱好者见面

Xu Gallery is pleased to present the works of artists 

Yang Xin, Yuan Ye and Zhuang Hongyi 

at the 10th Art Central Hong Kong 2025,

from March 26 to 30, 2025

 at the Central Harbourfront in Hong Kong.

言午画廊 Xu Gallery

展位号 Booth：B26

2025.03.25 Tue. VIP Preview - VIP ONLY

2025.03.26 Wed.12:00PM-5:00PM

2025.03.27 Thu.12:00PM-7:00PM

2025.03.28 Fri.12:00PM-7:00PM

2025.03.29 Sat. 11:00AM -7:00PM

2025.03.30 Sun. 11:00AM -5:00PM

地址 Address：香港中环龙和道9号 

9 Lung Wo Road, Central, Hong Kong

参展艺术家 Artists：

庄红艺 Zhuang Hong-Yi

阳新 Yang Xin

袁野 Yuan Ye

阳新，永远-27号，2021

高71cm，长18cm，宽18cm，汉白玉/水晶

Yang Xin, Eternity No. 27, 2021

H71cm, L18cm, W18cm, White Marble / Crystal

阳新， 永远-23号，2024

高115cm，长23cm，宽22cm，汉白玉

Yang Xin, Eternity No. 23, 2024

H115cm, L23cm, W22cm, White Marble

阳新， 行星-18号，2024，宽15 cm，砂岩

Yang Xin, Planet No. 18, 2024, W15cm, Sandstone

阳新，空衣5号，2024

高120cm，长33cm，宽15cm，青石

Yang Xin, Empty Clothes No. 5, 2024

H120cm, L33cm, W15cm, Bluestone

阳新，如是，2024，高36cm，长23cm，宽23cm，青石

Yang Xin, As It Is, 2024, H36cm, L23cm, W23cm, Bluestone

阳新，空衣-28号，2024，高60cm，汉白玉

Yang Xin, Empty Clothes No. 28, 2024, H60cm, White Marble

阳新，空衣-27号，2024

高100cm，宽40cm，厚20cm，汉白玉

Yang Xin, Empty Clothes No. 27, 2024

H100cm, L40cm, W20cm, White Marble

阳新，永远-26号，2024

高68cm，宽10cm，厚10cm，汉白玉/水晶

Yang Xin, Eternity No. 26, 2024

H68cm, L10cm, W10cm, White Marble/ Crystal

阳新，空衣-21号，2024

高58cm，长55cm，宽11cm，汉白玉

Yang Xin, Empty Clothes No. 21, 2024

H58cm, L55cm, W11cm, White Marble

艺术家 Artist

阳新 Yang Xin

阳新（1982，中国），独立学者、鉴藏专家，专注于古代造像艺术研究，活跃于学术、艺术与文物领域。阳新以其深厚的学术背景和独特的艺术视角，将中国传统雕塑艺术的精神内核融入当代创作，形成了古朴、沉静且充满时间厚重感的艺术风格。

阳新的雕塑作品以“汲古为今”为核心，既传承了中国古代雕塑艺术的精髓，又赋予其当代审美的表达。采用古人常用的石料与传统雕刻技法，通过有温度的双手，将冰冷的石头转化为充满生命力的艺术品。阳新试图从宇宙的视角重新探究中国文化中人与自然“天人合一”的哲学思辨，以纯粹的美感重视生命个体平静、善良、包容的美好。

 “空衣”系列通过雕刻汉白玉外衣，呈现云雾般的空灵质感，表达“空为内核”的哲学理念。“永远”系列以石块堆砌的塔形结构，象征时间的叠加与文明的延绵，顶部自然形态的石头寓意生命归于自然的永恒法则。“星球”系列则以岩石雕刻的星球形态，隐喻人类在宇宙中的渺小与伟大，探讨人与宇宙的依存关系。阳新从石窟、神庙等文明遗迹中汲取灵感，结合东方哲学与宇宙观，以石材和玉材为载体，创造出既具象又超越具象的艺术语言，表达对永恒、自然与人类文明的深刻思考。

阳新的作品与研究成果在学术界与艺术界均获得高度认可。其专著《梵物志》被誉为古代造像艺术研究的重要文献，也曾多次受邀参与关于中国古代造像艺术的学术活动，包括中国美术学院、中央美术学院及龙门石窟研究院。其作品曾在山西云冈美术馆 （2024）、上海宝龙艺术中心（2023）、南京芥墨艺术馆（2022）等进行展出。

Yang Xin (1982, China) is an independent scholar and specialist in the field of ancient sculpture art, active in the fields of academia, art and cultural heritage. With his solid academic background and unique artistic perspective, Yang Xin integrates the spiritual core of traditional Chinese sculpture art into his contemporary creations, forming an artistic style that is solemn, serene and imbued with the sense of time.

“To make the past serve the present” is the core of Yang’s art. While inheriting the essence of ancient Chinese sculpture art, he endows it with a contemporary aesthetic expression. He adopts the stone and carving techniques commonly used by the ancients, and transforms the cold stone into a work of art full of vitality through his warm hands. Yang attempts to re-investigate the philosophical discourse of “harmony between humanity and nature” in Chinese culture from the perspective of the universe, and re-examines the beauty of calmness, gentleness, and inclusiveness of individual life with a pure sense of aesthetics.

The “Empty Clothes” series expresses the philosophical concept of “empty as the core” by carving the white marble coat and presenting an airy and hazy texture. The “Eternity” series features a tower structure made of stones, symbolizing the superposition of time and the continuation of civilization, while the natural shape of the stones on the top symbolizes the eternal law of life returning to nature. The “Planet” series, using the shape of planets carved from rocks, is a metaphor for the insignificance and greatness of human beings in the universe, exploring the relationship between human beings and the universe. Yang draws inspiration from civilization relics such as grottoes and temples, combines Eastern philosophy and cosmology, and uses stone and jade as carriers to create an artistic language that is both figurative and transcends the figurative, to express an insightful reflection on eternity, nature and human civilization.

Yang’s works are highly recognized in both the academic and art worlds. His monograph Brahma Objects (梵物志, Fan Wu Zhi) is considered a significant literature for the study of ancient sculpture art. He has been invited to numerous academic activities on ancient Chinese statuary art, including the China Academy of Art, the Central Academy of Fine Arts, and the Longmen Grottoes Research Institute. His works have been exhibited in Yungang Art Museum, Shanxi, China (2024), Powerlong Art Center, Shanghai, China (2023), and Jiemo Art Museum, Nanjing, China (2022).

2025年香港Art Central展会

言午画廊期待与您在 展位B26 见面

Art Central Hong Kong 2025

Xu Gallery is looking forward to seeing you at booth B26!

宝龙艺术中心&言午画廊以推动亚洲当代艺术为己任，积极引进具有当代性和国际性的高品质展览、推荐和扶持新锐艺术家和富有创新精神的艺术项目。并以高度专业的自我要求，打造出艺术和收藏领域所肯定的画廊品牌，致力于国际化、多元化的艺术交流，在全球化的语境中探寻“东方”与“西方”、“传统”与“现代”之间一脉相承的内在线索，希望把更多高品质的艺术家及作品推荐给广大的艺术爱好者和收藏家。