此次杜梦堂呈现了8位不同代际艺术家的创作，包括巴西莱·布恩(BasileBOON)的陶瓷雕塑作品，丹尼尔·达维欧(Daniel DAVIAU)的铜雕作品、尚-马理·费欧理(Jean-Marie FIORI)的功能性雕塑作品，玛琳·布雷纳 (Marine BREYNAERT) 的限量设计作品，苔丝·杜蒙(Tess DUMON)的绘画创作、文森·漆(Vincent CAZENEUVE)和翁纪军以大漆为核心的综合材料创作，以及雨果·席德(Ugo SCHILDGE)介于雕塑和绘画的综合材料作品。

DUMONTEIL Design is pleased to return to the PAD PARIS Art Fair, the leading fair which focuses on 20th-century art and contemporary design.

This time, we present the creations of 8 artists of different nationalities and generations, including ceramic sculptures by Basile BOON, bronze sculptures by Daniel DAVIAU, functional sculptures by Jean-Marie FIORI, limited-edition designs by Marine BREYNAERT, paintings and drawings by Tess DUMON, mixed media works centered on lacquer by Vincent CAZENEUVE and WENG Jijun, and mixed-media works between sculpture and paintings by Ugo SCHILDGE.

艺博会现场

INSTALLATION VIEWS

杜梦堂 PAD Paris 2025 艺博会展览现场

DUMONTEIL Design booth Installation view at PAD Paris

杜梦堂 PAD Paris 2025 艺博会展览现场

DUMONTEIL Design booth Installation view at PAD Paris

杜梦堂 PAD Paris 2025 艺博会展览现场

DUMONTEIL Design booth Installation view at PAD Paris

杜梦堂 PAD Paris 2025 艺博会展览现场

DUMONTEIL Design booth Installation view at PAD Paris

杜梦堂 PAD Paris 2025 艺博会展览现场

DUMONTEIL Design booth Installation view at PAD Paris

展出作品精选

SELECTED WORKS

Basile BOON

巴西莱·布恩 (b.1970)

Basile BOON | 巴西莱·布恩 (b. 1989)

La chute du Minotaure, Félicité et la Ribambelle

2021

Glazed stoneware 上釉炻器

180 x 190 cm

Basile BOON | 巴西莱·布恩 (b. 1989)

The River God | 河神

2023

Glazed stoneware 上釉炻器

H 65 cm

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Basile BOON | 巴西莱·布恩 (b. 1989)

Dragon - Hola cari?o | 龙 - 你好，亲爱的

2024

Glazed stoneware 上釉炻器

32 x 22 x 29 cm

Basile BOON | 巴西莱·布恩 (b. 1989)

Dragon - Contigo para siempre | 龙 - 与你永相伴

2024

Glazed stoneware 上釉炻器

32 x 22 x 29 cm

巴西莱·布恩（Basile Boon，1989年生于比利时那慕尔）是一位视觉艺术家，其创作深刻探讨身份、神话及古代符号的主题，同时与当代议题保持紧密联系。他拥有戏剧与建筑学背景，最初通过工艺创作开启了艺术之路，并在多种媒介中探索其艺术表达。他的艺术超越了个人叙事，将神话、考古学和宗教与自身经历的元素融合，呈现出一种三维史诗——以个人视角重新演绎古代文明的故事。

Basile BOON (b. 1989, Namur, Belgium) is a visual artist whose work explores identity, mythology, and ancient symbols, while being firmly rooted in the present. After studying theater and architecture, he initially turned to craftsmanship, experimenting with various mediums. His work transcends personal narrative, merging mythology, archaeology, and religion with elements of his own experiences. The result is a three-dimensional epic—a tapestry of stories from ancient civilizations reinterpreted through his unique perspective.

Marine BREYNAERT

玛琳·布雷纳 (b.1982)

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Marine BREYNAERT | 玛琳·布雷纳 (b. 1982)

"Imago" Wall Lamp | "Imago" 壁灯

2025

Patinated and brushed solid Brass, Porcupine thorns, oxidised wood mirror

经过锈蚀和拉丝处理的实心黄铜、豪猪刺、氧化木镜

28 x 36.5 x 8 cm

Edition of 8 paris 限量8对

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Marine BREYNAERT | 玛琳·布雷纳 (b. 1982)

"Oko" Wall Lamp | "Oko" 壁灯

2024

Solid Brass, Deployed Brass Mesh, Oxidised Wood, Porcupine Thorns

实心黄铜，黄铜网，氧化木，豪猪刺

45 x 41 x 24.5 cm

Edition of 8 paris 限量8对

玛琳·布雷纳 (Marine BREYNAERT) 于 2010 年创立了主要从事照明设计的 Atelier Marine Breynaert。多年来，她将极简线条与丰富品味相结合，建立了自己的视觉语汇。她的作品具有丰富的铜绿纹理、对比鲜明的漆面和光雕灯罩，形成了既有力又复杂的系列。布雷纳严格的标准和精确的工艺使她能够将不同的传统结合起来。她的灯具是介于工业设计和当代诗歌之间的视觉悖论。

Marine Breynaert founded Atelier Marine Breynaert in 2010, focusing primarily on lighting. She has built up a visual vocabulary combining minimal lines with an enriched taste over the years. Her richly textured patinas, contrasting lacquers, and light-sculpting lampshades give rise to series that are both powerful and complex. Marine Breynaert’s exacting standards and precise craftsmanship have enabled her to combine different heritages. Her lights are visual paradoxes, somewhere between industrial design and contemporary poetry.

Vincent CAZENEUVE

文森·漆 (b.1977)

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Vincent CAZENEUVE | 文森·漆

Untitled | 无题

2022

Chinese lacquer, jute rice bag, 24K and 18K gold leaves (assembled on wooden structure)

大漆，黄麻米袋，24k和18k金箔（组装在木结构上）

104 x 74 x 6 cm

文森·漆 Vincent Cazeneuve（1977年出生），是一名以大漆为主要创作媒介的法国当代艺术家。他将漆文化和与漆相关的传统手工艺作为研究核心，用看似简约实则繁复的艺术语言对东西方文化兼容并蓄，同时不断实验不同材料、艺术形式和传统手工艺与大漆结合的可能性，最终以具有丰富质感和层次的作品记录时光的流转和生命的印记。

Vincent Cazeneuve (born in 1977) is a French contemporary artist who uses lacquer as his main creative medium. He takes lacquer culture and traditional crafts related to lacquer as the core of his research, using seemingly simple but complicated artistic language to embrace both Eastern and Western cultures, while constantly experimenting with the possibilities of combining different materials, art forms and traditional crafts with lacquer, and ultimately documenting the flow of time and the imprints of life with works that are rich in texture and layers.

Daniel DAVIAU

丹尼尔·达维欧 (b.1962)

Daniel DAVIAU | 丹尼尔·达维欧 (b. 1962)

Corgi "Orion" | 柯基 Orion

2025

Patinated bronze, signed, Bodin foundry

锈色铜雕，艺术家署名，Bodin铸造厂

N° 1/8, 53 x 78 x 31 cm

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Daniel DAVIAU | 丹尼尔·达维欧 (b. 1962)

Desman des Pyrénées | 比利牛斯鼴鼠

Cast 2024

Patinated bronze, signed, Bodin foundry

锈色铜雕，艺术家署名，Bodin铸造厂

N° 1/8, 22 x 12.5 x 25.5 cm

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Daniel DAVIAU | 丹尼尔·达维欧 (b. 1962)

Kitten | 小猫

2024

Patinated bronze, signed, Deroyaume foundry

锈色铜雕，艺术家署名，Deroyaume铸造厂

N° 2/8, 23 x 14 x 14 cm

丹尼尔·达维欧长期专注于铜雕创作，并以濒危物种为创作主题。其动物雕塑作品具有强烈的个人风格，非常现代，生动、细腻而充满情感，并且在技术层面展现了精湛的铜雕表面处理工艺。

达维欧以幽默的雕塑语言表现动物的尊严, 捕捉它们的灵动神态。简洁清晰的线条, 细腻典雅的设计, 无不体现他作为杰出动物主题艺术家前辈中最为才华卓越的代表。

Devoting himself to bronze sculptures, Daniel Daviau focuses on representing animals, especially endangered species. Distinctly recognizable, Daviau’s sculptures are modern, sensitive, and full of emotions, with pure lines and composed elegance, demonstrating the superb quality of both bronze casting and "patina" handling skills.

The artist expresses with humor the majesty and captures the caricature attitude of his bestiary. The purity of his lines and the subtle elegance of his design made him one of the most talented representatives of the old and illustrious family of the Animalists.

Tess DUMON

苔丝·杜蒙 (b.1990)

Tess DUMON | 苔丝·杜蒙（b.1990)

Snow Coat and Moon Horse | 雪笼皎马

2023

Gouache on linen

亚麻水粉

120 x 120 cm

苔丝·杜蒙的作品涵盖了包括绘画，雕塑，动画和装置在内的多种媒介。她的创作与其个人经历息息相关，作品中频频出现的马，意旨她患有自闭症的弟弟在治疗中采用的马疗法，而后者也是常见于其作品的神秘少年。

艺术家擅于捕捉无常无定的尘世中那些欣喜美好的时刻，而有意拉长的手的比例，则是天使翅膀的隐喻。

Tess Dumon’s work evolves on different mediums that includes drawing, sculpture, animation and installations. Her practice is related to her personal experience and childhood memories. Horse is a recurring theme in Dumon's artworks; it refers to the horse therapy sessions that her autistic brother received. The latter is also omnipresent in Tess Dumon’s work as a mysterious young man.

The artist often captures moments of peace and grace in the vicissitudes of life. The disproportionate size of the boy's hands is a metaphor for the wings of an angel.

Jean-Marie FIORI

尚-马理·费欧理 (b.1952)

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Jean-Marie FIORI | 尚-马理·费欧理 (b. 1952)

Cerbar | 苏美尔动物寓言柜

2024

Patinated bronze, Deroyaume Foundry

锈色青铜，Deroyaume铸造厂

Edition of 8, H. 182 x ? 51 cm

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Jean-Marie FIORI | 尚-马理·费欧理 (b. 1952)

Sumer Cabinet | 苏美尔动物寓言柜

2019

Patinated bronze, Ash wood, signed, Deroyaume Foundry

锈色青铜，岑木，Deroyaume铸造厂

Edition of 8, 185 x 115 x 34 cm

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Jean-Marie FIORI | 尚-马理·费欧理 (b. 1952)

Deer Pair of Candlesticks | 雄鹿烛台

2023 Patinated bronze, signed, Deroyaume Foundry

锈色青铜， Deroyaume铸造厂

Edition of 25, 24 x 18 x 10 cm

Jean-Marie FIORI | 尚-马理·费欧理 (b. 1952)

Pair of "Beast" Candlesticks with handle | 豹子烛台

2023 Patinated bronze, signed, Deroyaume Foundry

锈色青铜， Deroyaume铸造厂

Edition of 25, 11 x 11 x 7.5 cm

Jean-Marie FIORI | 尚-马理·费欧理 (b. 1952)

Pair of "Lion" Candlesticks | 雄狮烛台

2023 Patinated bronze, signed, Deroyaume Foundry

锈色青铜， Deroyaume铸造厂

Edition of 25, 11 x 23 x 8.5 cm

Jean-Marie FIORI | 尚-马理·费欧理 (b. 1952)

Bench | 长椅

2024

Bronze, fabric, signed, Deroyaume Foundry

锈色青铜，织物，Deroyaume铸造厂

Edition of 8, 40 x 120 x 35 cm

尚-马理·费欧理的灵感主要源自高古文明(High Antiquity)，尤其是美索不达米亚文明的碑石、浮雕艺术，爱琴海地区基克拉泽斯文明的极简主义(Cycladic Minimalism)等，而其创作的野兽形象大多基于古希腊神话和寓言等典故，忠于其审美与文化修养。同时，费欧理的作品以当代的视野展现了鲜明的个人风格——既拥有神像般的庄严，又透着孩童般的纯真。

Jean-Marie Fiori's work is also inspired by heritages of the High Antiquity, particularly Mesopotamian Art and Cycladic Minimalism. Fiori's creations are associated with Ancient Greek mythologies and fables, Fiori's works remain true to his essential aesthetic and culture. A contemporary vision of his distinguishable personal style, Fiori's "beasts" are imbued with dignity and childlike purity, sincerity, and mischievousness, bringing heartfelt joy to the viewer.

Ugo SCHILDGE

雨果·席德 (b.1987)

Ugo SCHILDGE | 雨果·席德 (b.1987)

Flower 花

2025

Plaster, concrete, pigment, and wood

石膏，混凝土，色粉，木材

162 x 122 cm

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Ugo SCHILDGE | 雨果·席德 (b.1987)

Tartare | 塔尔塔洛斯

2025

Patinated Bronze, signed, Fusion Foundry

锈色青铜，Fusion铸造厂

70 x 55 x 45 cm

Ugo SCHILDGE | 雨果·席德 (b.1987)

"The Lemon Tree" Great Table | 柠檬树长桌

2025

Marble, plaster, concrete, wood and pigment, unique piece

大理石、石膏、混凝土、木材和颜料，孤品

70 x 240 x 130 cm

雨果·席德独特的创作手法以天然色粉、木材、石膏和混凝土等为主要材料，模糊了绘画和雕塑、画布和媒介、控制和自由之前的界限，同时赋予了作品无与伦比的质感和流动性。而这种技术背后的有条不紊、深思熟虑与梦境所呈现的零散、快速而直观的表达形成了对立与碰撞。

Using natural pastels, wood, plaster and concrete as his primary materials, Ugo Schildge's unique approach blurs the boundaries between painting and sculpture, canvas and medium, control and freedom, while giving the works an unparalleled texture and fluidity. And the methodical, deliberate thinking behind this technique contradicts and collides with the fragmented, rapid and intuitive expressions presented in the dreamscape.

WENG Jijun

翁纪军 (b.1955)

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WENG Jijun | 翁纪军

Constellation 2024-1 | 集聚 2024-1

2024

Chinese lacquer, ramie fabric, gold leaves

大漆，苎麻，金箔

63 x 48 x 5 cm

翁纪军以大漆为媒介，从大漆自身特性和传统漆艺中汲取灵感，以见微知著的方式将不同维度的世界相互连结。近年来，翁纪军开始更多地关注人对未知世界探索的渴求，用作品折射出科学棱镜之外宏观与微观世界之间的联系。对漆艺的精通则让他能够将所谓的传统“图案”、“纹样”转化为对生命起源的探寻和宇宙形态的描绘。

Drawing inspiration from lacquer, its characteristics, and its tradition, Weng Jijun provides an alternative for us to re-examine our connection with the world in a way that bridges its different dimensions. Weng Jijun has begun to focus more on the human desire to explore the unknown, using his works to reflect the connections between the macro and micro worlds beyond the prism of science. His mastery of lacquer art has enabled him to transform the traditional 'patterns' and 'motifs' into a search for the origins of life and a depiction of cosmic forms.

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