Vibrancy
塔玛丽·伯瑞利：流动伊甸
2025.04.19 - 05.31
上海市衡山路199号永平里105栋
Bldg 105, 199 Hengshan Rd. Shanghai
杜梦堂 （上海） 欣然呈现法国艺术家塔玛丽·伯瑞利（Tamaris Borrelly）在中国的第二次个展“流动伊甸”。继备受赞誉的首次国内个展“绮梦之境”后，这位巴黎国立高等美术学院毕业的新锐艺术家带着最新的纸本水彩创作回归，其中包括引人注目的大尺幅作品。在此次展览中，伯瑞利深入探索生命形态的演变和强烈的共生意识，将鲜活的能量与细腻的描绘相结合，揭示塑造存在的变革之力。DUMONTEIL is delighted to present Vibrancy, the second solo exhibition of French artist Tamaris Borrelly in China. Following her acclaimed debut, Inner Life, Shaping Worlds, this emerging Beaux-Arts de Paris graduate returns with a dynamic collection of new watercolor works, including striking large-format pieces. In this exhibition, Borrelly delves into the evolution of life forms and a profound sense of symbiosis, blending vivid energy and intricate detail to illuminate the transformative mechanisms shaping existence.
塔玛丽·伯瑞利 | Tamaris BORRELLY (b. 1987)流动伊甸 | Vibrancy
楮纸上水彩 Watercolors on kozo paper210 x 270 cm
“流动伊甸”引领我们步入一个嬗变的世界：有些形态已然清晰，另一些则仿佛正在孕育，处于演化的流转之中。植物与动物的形态相互交织，编织出一片浓密的生命之网，呼应着自然界的层叠丰饶。种子的萌发与成熟被描绘成涌动着微生物、细胞、胚胎和动物生命气息的基质状土壤。Vibrancy, draws us into a process of transformation, where some forms are defined, while others appear in the making, in the midst of an evolutionary process. The entanglements between plant and animal forms create a dense weave that echoes the layered richness of the living world. The process of germination, the ripening of seeds, is stylized as a matrix-like soil teeming with microorganisms, cells, embryos, and animals.
塔玛丽·伯瑞利 | Tamaris BORRELLY (b. 1987)
此处 | In Situ
楮纸上水彩 Watercolors on kozo paper210 x 270 cm
例如，在作品《绮梦之茧》中，大地散布着椭圆或圆状形体——如同卵或摇篮——孕育着正在成形的躯体与生灵。细如游丝的脉络，似纤弱的血管，延展为长长的绳索，将休眠中的生命彼此相连，静待觉醒的那一抹生机。In Cocoons, the ground holds oval or round shapes—like eggs or cradles—harboring bodies and creatures in formation. Fine threads, like delicate veins, stretch into long cords, connecting beings in a dormant state that precedes the vital spark of awakening.
塔玛丽·伯瑞利 | Tamaris BORRELLY (b. 1987)绮梦之茧 | Cocoons
雁皮上水彩 Watercolors on gampi paper55 x 72 cm; 含框：72 x 89 x 4.5 cm with frame
生命之间通过 无形的链条传递着丰富的元素。形态如星群般交错缠绕，胚胎的形体排列——满载细胞与异质的成分——勾勒出一个复杂的有机体系。景观元素如花丝般交错，如宝石般镶嵌。躯体以各种方式交融、缝合或缠结，在纸面上流淌、蜷曲、滑行，仿若一条蜿蜒的河流。
A profusion of elements is exchanged between organisms through chains. Pleiades of forms intertwine and intersect. The arrangement of embryonic shapes—filled with cells and heterogeneous components—suggests an intricate organic system. Elements of the landscape interlace like filigree, like stones set in jewelry. Bodies are interwoven, sewn or knotted together in various ways. They stream, curl, and glide across the paper like a river.
塔玛丽·伯瑞利 | Tamaris BORRELLY (b. 1987)
临水之畔 | Water Edge
楮纸上水彩 Watercolors on kozo paper108 x 198 cm; 含框：128 x 218 x 6.6 cm with frame
通过这一系列画作，艺术家邀请我们走进一个充满生机与微生物的星球，在那里，复杂的织体在共生中不断演化。在这片由物质、腐殖质与尚未成形的躯体构成的景观中，生命的存在见证了创造的丰饶与精妙。正如安妮·迪拉德（Annie Dillard）在《听客溪的朝圣》[1] 中写道：“这个世界的细节具有遍满各处之繁复，这是其真理：创作不是一幅习作，不是只有轮廓的素描；它是以最了不起的、严谨的方式创作出来的，丰盛地，铺张地，总括地创作出来的。”
Through this collection of drawings, the artist invites us into the intricate fabric of a planet teeming with organisms and micro-organisms, endlessly evolving in symbiosis. Here, living beings lie within a landscape of matter, humus, and bodies still in formation—an environment that attests to the abundant precision of creation. As Annie Dillard writes in Pilgrim at Tinker Creek [1]: “This is the truth of the pervading intricacy of the world’s detail: the creation is not a study, a roughed-in sketch; it is supremely, meticulously created, created abundantly, extravagantly, and in fine.”
[1] [美] 安妮·迪拉德，《听客溪的朝圣》（广西师范大学出版社，2024年，余幼珊译）Annie Dillard, Pilgrim at Tinker Creek (McGraw-Hill College, 1974), Chapter 8, P136.
塔玛丽·伯瑞利 | Tamaris BORRELLY (b. 1987)
玫瑰染霞 | Paysage Rose
纸上水彩 Watercolors on paper56 x 51 cm; 含框：72 x 68 x 4.5 cm with frame
塔玛丽·伯瑞利用色彩的盛宴为我们呈现了大自然作为宏观与微观生命形态交织的奇妙集合——是地球生命的潜在脉动。她的画作中，躯体由器官与物质塑造，引领我们思考生命的奥秘。这些作品提醒着我们与动物、植物和矿物世界的无尽交织——生命本就自成一幅恢弘而复杂的锦绣。Tamaris Borrelly offers us a vision of nature as an extraordinarily complex assembly of macroscopic and microscopic life forms—the underlying pulse of life on Earth. Her drawings, where bodies are shaped by organs and matter, invite us to contemplate the mystery of life. They remind us that we are endlessly interwoven with the animal, plant, and mineral worlds—and that life itself is a vast and intricate tapestry.塔玛丽·伯瑞利 | Tamaris BORRELLY (b. 1987)
繁花 | Blossoming Flowers
楮纸上水彩 Watercolors on kozo paper74 x 142 cm; 含框：128 x 218 x 6.6 cm with frame
此次塔玛丽·伯瑞利个展「流动伊甸」的开幕酒会定于4月19日(周六)下午4时至晚间7时举办。敬请关注此次展览。
The opening reception of Tamaris BORRELLY's solo exhibition Vibrancy at DUMONTEIL Shanghai is scheduled for Saturday, April 19th from 4 p.m. to 7 p.m.
塔玛丽·伯瑞利 Tamaris BORRELLY, 摄影 ?Roman Hill
塔玛丽·伯瑞利的作品围绕由生命构成的世界展开，展现着它的蜕变、它的脆弱性和持久性。景观和梦境是伯瑞利作品的核心。她通过对万物融合的探索，质疑现有的物种体系和生物关联性。正如科学家对普世真理的追寻，伯瑞利则寻求创造一个能够通往别样世界的空间。塔玛丽·伯瑞利（Tamaris Borrelly，1987年生于巴黎）是以绘画、动画和装置为主要媒介的法国艺术家。她毕业于巴黎国立高等美术学院，随后在纽约视觉艺术学院深造实验电影与动画。她曾多次在印度工作和生活，以发展她的视觉作品以及她与景观的关系。目前在巴黎工作与生活。伯瑞利的作品曾在多家画廊与艺术机构举办个展，包括杜梦堂，上海（2023）；庞坦音乐舞蹈戏剧学院，庞坦，法国（2021）；Galerie du Haut-Pavé，巴黎（2021）；Coral studio，孟买，印度（2016）；巴黎国立高等美术学院，巴黎（2014）等。近来，她的作品以彩色版画的形式被CNAP和ADRA艺术图书馆收藏，这些作品于2025年在René Tazé凹版工作室完成。她曾与编舞家Clémentine Vanlerberghe合作，为Gratia Lacrimarum（2020）设计布景与视频；在孟买驻地期间（2013）扩展至陶土雕塑，并参与了由佩诺内（Guiseppe Penone）在勒·柯布西耶的拉图雷特修道院策划的驻地展览“沉默”（2012）。Tamaris Borrelly’s work revolves around the living world, its metamorphoses, its fragility and its durability. Landscape and dreaming are at the center of Borrelly’s work. She questions the relationships between species and the biological links through her search for the fusion of matter. Like the scientist seeking to contribute to universal knowledge, she seeks to create a space opening onto another world.Tamaris Borrelly (b. 1987, Paris) is a French artist who mainly works with drawing, animation, and installation. She graduated from the école nationale supérieure des Beaux-Arts, then furthered her study of experimental film and animation at the School of Visual Art in New York. She has worked and lived in India on several occasions to develop her visual work and her relationship with the landscape. The artist currently lives and works in Paris.Borrelly’s work has been the subject of solo exhibitions in galleries and art institutions such as DUMONTEIL, Shanghai (2023); CRD Pantin, Pantin, France (2021); Galerie du Haut-Pavé, Paris (2021); Coral studio, Mumbai (2016); ENSBA, Paris (2014), etc. Most recently, her work has joined the collections of the CNAP and the ADRA art libraries in the form of colour engraving produced with the René Tazé intaglio workshop (2025). She collaborated with choreographer Clémentine Vanlerberghe on set designs and videos for Gratia Lacrimarum (2020), expanded into sculpture using terracotta during her residency in Mumbai (2013), and participated in “Silence,” a residency exhibition curated by Penone at Le Corbusier’s Convent of La Tourette (2012).
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