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白盒子展讯｜无垠-德国当代艺术展

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白盒子展讯｜无垠-德国当代艺术展崇真艺客

无垠-德国当代艺术展

Boundless: Cross-cultural Resonance and Isomorphism

艺术家：

Artist：

弗朗茨·图尔切尔

FRANZ TüRTSCHER

霍伯特·梅勒

HERBERT MEHLER

尼古拉·迪米特洛夫

NIKOLA DIMITROV

奥托·赖茨佩格

OTTO REITSPERGER

莱因哈德·罗伊

REINHARD ROY

策展人:任戎

Curator: Ren Rong

2025.06.08-2025.07.24

白盒子艺术馆

WhiteBox Art Center

北京市朝阳区酒仙桥路2号798艺术区797路B07

B07, 798 Art District, No.2 JiuXianQiao Road, Chaoyang District, Beijing

无垠：跨文化的共通与同构

Boundless: Cross-cultural Resonance and Isomorphism

文/任戎

By Ren Rong

无垠：艺术的无界愿景

Boundless: The Unbounded Vision of Art

《无垠·德国当代艺术展》以“无垠”为主题，这一概念本质上彰显了艺术开放、流动、自由的无界限愿景。当德国抽象艺术所秉持的“形式自律”跨越地理界限，与东方文化中“意象生成”的美学传统相遇，便在解构与重构之间催生出全新的认知。抽象绘画的色彩逻辑为意象艺术提供了更具分析性的形式工具，而东方哲学对“象外之象”的不懈追求，则为西方抽象艺术注入了超越形式本体的精神维度。

在当下这个被数据与图像碎片充斥的时代，《无垠·德国当代艺术展》传达出一种深刻的理念：艺术的交流并非符号的简单表面嫁接，而是不同美学体系在本体论层面的相互映照与启迪。当西方的理性思辨与东方的诗性智慧碰撞交融，艺术的无垠之境，正是在这种跨文化的同构进程中逐渐铺展。

白盒子展讯｜无垠-德国当代艺术展崇真艺客

莱因哈德·罗伊 Reinhard Roy，《P-2908》 P-2908, 100×30 cm，布面综合材料 Mixed media on canvas，2021

"Boundless: Contemporary Art from Germany" explores the theme of “boundlessness”—a concept that reflects the inherent openness, fluidity, and limitless vision of art. When the “autonomy of form” central to German abstract art transcends geographical borders and engages with the Eastern aesthetic tradition of “mental imagery generation,” a new form of understanding emerges through processes of deconstruction and reconstruction. The chromatic logic of abstract painting offers imagery art a more analytical and formal vocabulary. In turn, Eastern philosophy’s enduring pursuit of the “image beyond the image” imbues Western abstraction with a spiritual dimension beyond the limits of form.

In an era saturated with fragmented data and imagery, "Boundless: Contemporary Art from Germany" presents a compelling idea: artistic exchange is not a superficial grafting of symbols, but a mutual illumination between distinct aesthetic systems at an ontological level. When Western rational inquiry converges with Eastern poetic wisdom, a boundless artistic realm emerges, shaped through a cross-cultural process of isomorphism.

白盒子展讯｜无垠-德国当代艺术展崇真艺客

奥托·赖特斯伯格 Otto Reitsperger，《RB 2020-41, 精准2》 RB 2020-41, "Concrete 2"，60×60 cm，布面油画 Oil on canvas，2020

白盒子：跨文化的同构实践

White Cube: A Cross-cultural Practice of Isomorphism

展览选址于798艺术区的白盒子艺术馆，这一选择本身就构成了一个极具符号学意义的文化装置。798艺术区原为前苏联援建、民主德国负责设计建造的重点工业项目，这里的展示空间架构承载着社会主义工业化的集体记忆。这种多重历史背景，为来自联邦德国的艺术家所创作的抽象语言提供了独特的阐释场域。当耐候钢雕塑的工业质感与厂房的历史肌理相互呼应，材料的时间性获得了双重指涉。它既是德国艺术家对工业文明的深刻反思，也是中国观众对自身现代化进程的视觉反观。

白盒子展讯｜无垠-德国当代艺术展崇真艺客

弗朗茨 · 图尔切尔 Franz Türtscher，《框架，No. 9:17》 OPEN FRAME, No. 9:17，100×75×6 cm，铝框, 木板丙烯 Aluminum frame, acrylic on wood，2017

The exhibition venue is the White Cube in Beijing’s 798 Art District, a site that itself serves as a culturally charged semiotic space. Originally established as a key industrial complex with Soviet support and designed by East German architects, the 798 Art District carries the collective memory of socialist industrialization in its architecture. This layered historical backdrop offers a unique interpretive lens to experience the abstract visual language of artists from West Germany. When the industrial textures of weathered steel sculptures echo the architectural fabric of the former factory buildings, the material’s temporality acquires dual significance. It becomes both a site of reflection for German artists grappling with the legacy of industrial civilization and a point of resonance for Chinese viewers re-engaging with the visual and emotional memory of their modernization.

白盒子展讯｜无垠-德国当代艺术展崇真艺客

霍伯特·梅勒雕塑 Herbert Mehler：sculptures

绘画与雕塑：形式和材料的空间诗学

Painting and Sculpture: The Spatial Poetics of Form and Material

德国当代抽象绘画的创作逻辑，植根于20世纪初包豪斯学派所奠定的形式革命。当德国现代主义建筑奠基人沃尔特·格罗皮乌斯提出“艺术与技术的新统一”时，实际上已经为抽象艺术剥离再现功能、建构独立语言体系埋下了理论伏笔。此次参展的德国艺术家绘画作品，延续了康定斯基在《论艺术的精神》中所阐释的“内在需要”原则：色彩不再依附于物象，而是成为了一种通感符号。

The creative logic of contemporary German abstract painting is deeply rooted in the formal revolution initiated by the Bauhaus school in the early 20th century. When Walter Gropius, one of the founding fathers of German modernist architecture, proposed a “new unity of art and technology,” he laid the theoretical foundation for abstract art to move beyond representation, establishing an autonomous visual language. The paintings by German artists featured in this exhibition reflect and extend the principle of “inner necessity” as articulated by Wassily Kandinsky in "Concerning the Spiritual in Art". In this context, color is no longer tethered to the depiction of objects. Instead, it functions as a trans-sensory signifier.

白盒子展讯｜无垠-德国当代艺术展崇真艺客

尼古拉·迪米特洛夫 Nikola Dimitrov，《声场 V》 KlangRaum V，140×110 cm，布面丙烯 Acrylic on canvas，2021

《无垠·德国当代艺术展》中，德国艺术家对形式语言的极致探索与中国美学对意象世界的不懈追寻，在此形成了一场深刻的精神对话。这种对话为我们开启了一个理解艺术的新维度：在形式与意象的交织之处，在自律与生成的共振之中，艺术始终保持着对人类经验的勘探能力，而这正是《无垠·德国当代艺术展》所蕴含的学术价值与人文意义。

In "Boundless: Contemporary Art from Germany", German artists embark on a daring exploration of formal language and a persistent quest for conceptual imagery in Chinese aesthetics. This dynamic exchange unveils a fresh perspective on art: where form and imagery converge, where self-discipline meets creation, art remains a potent tool for delving into the human experience. This fusion encapsulates the scholarly essence and humanistic value that define "Boundless: Contemporary Art from Germany".

白盒子艺术馆端午假期闭馆公告

2025年5月31日（周六）至6月2日(周一）闭馆，6月3日（周二）起正常开馆。白盒子艺术馆全体工作人员祝您端午安康！

WhiteBox Art Center Dragon Boat Festival Closure Notice

WhiteBox Art Center will be closed from Saturday, May 31 to Monday, June 2, 2025. Normal hours will resume on Tuesday, June 3. All staff at WhiteBox Art Center wish you a safe and joyful Dragon Boat Festival!

白盒子展讯｜无垠-德国当代艺术展崇真艺客