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这是群展｜我们在内心深处能看到多远？

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我们在内心深处能看到多远？

How far can we see within？

策展人 Curator：

安媛 An Laurence

艺术家 Artists：

Corinne Beaumier

童宙 Tong Zhou Lafrance

安媛 An Laurence

开幕 Opening：

2025.6.6（五） 19:00

精酿酒水请移步至HANG Together

展期 Duration：

2025.6.6 - 6.30

地点 Location：

啥空间ScheinSpace，杭州市邮电路28号 28 Youdian Road, Shangcheng, Hangzhou

《我们在内心深处能看到多远？》展览呈现了3位在中国出生，被收养至加拿大魁北克，且成长过程中经历跨文化迁移的青年艺术家Corinne Beaumier、童宙、安媛的作品。她们在文化认同的裂隙中，疏离并重新审视原生家园，通过艺术实践与过去记忆的碎片展开对话，试图重塑自我认知的复杂图谱。在当时全球化与数字化的双重影响下，个人经验已超越纯粹心理层面，成为不断被视觉文本和文化机制重塑的场域，艺术家如何在跨文化迁移、技术图像与视觉再现的交汇点上，追寻内在经验的真实性？所以聚焦这一根本性问题：我们在内心深处，究竟能看到多远？

Golden pearl 1998/ 金珍珠，1998，童宙 Tong Zhou Lafrance，50.8 x 76.2 cm，用缝纫线编织的照片纸 Woven photo paper with sewing threads

童宙的《无题劳动》系列由几组双联画组成，围绕她人生中的关键时刻展开，包括1999年的跨国收养、在魁北克市的童年记忆，以及2012年返回中国的经历。她选取母亲拍摄的档案照片作为创作素材，通过手工缝线介入图像，在影像的缝合与穿透中，连接这些被地理与文化分隔的生命片段。作品反思了中国的手工劳动、跨国收养机制与身份重建之间的复杂关系。“无题劳动”既指向艺术创作中被忽视的手工劳动，也隐喻收养体系中那些匿名且不可见的生命轨迹。

Intrapsychic grief 1 内心深处的悲伤 1，2025，An Laurence 安媛，27 x 36 cm，蚀刻艺术纸上的喷墨打印 Inkjet printing on etched art paper

安媛的《Alt + R（替代现实）》系列，以图像的“伪记忆”构造为出发，建构数字环境中的身份演练剧场。她调取上世纪90年代由其养父母在中国拍摄的家庭影像，以及2023年在中国拍摄的个人照片，辅以极少量其他图像，通过扭曲、擦除、重组与挪用，制造时间重影与信息断裂的感官回路。“Alt + R”作为快捷键被赋予符号学意义，提示撤回与重做之间的情感复杂性。作品非单纯记忆的回收，而是对记忆机制的质疑与再构：在现实难以确认之处，虚构成为唯一可握的实感，反映数字技术介入记忆与身份的复杂张力。

照顾 Soins，2013，Corinne Beaumier，20.32 x 25.4 cm，喷墨打印剪纸 Inkjet printed paper-cutting

Corinne Beaumier的《背景与形式》以最为克制的形式语言，揭示“文化观看”的内在机制。她采用考古般凝视，将家庭照片、影像档案与博物馆展示图像重组，构建“第二风景”。她关注的问题并非图像内容，而是观看的方式。通过结构性重构与精密图像部署，艺术家拆解“背景”与“主体”间的视觉等级秩序，试图解构西方展示体系中根深蒂固的权力维度，挑战文化认知的霸权结构。

三组作品分别从织物、数字图像与档案结构切入，共同构成一条关于“看与被看”“记忆与再书写”的内在路径。提示我们：身份不再是确定的标签，而是一种不断变化的情感回路；记忆亦非可回收的静态图像，而是被技术语言、文化编码与心理投射不断重塑的动态过程。

“我们在内心深处能看到多远？”这不仅是对艺术家主体的自我提问，更是对当代感知经验的深层次批判。在图像泛滥、记忆漂移与身份断裂的现实中，艺术抵抗简化的叙事逻辑，提供了认知复杂性的容器，促使我们反思身份、记忆与文化的多维张力。

衷心感谢加拿大领事馆和魁北克办事处，以及承办此次展览的画廊与空间，感谢她们的支持与信任。

*本次展览因场地限制有所精简，部分作品未能展出。

How far can we see within? presents the works of three artists born in China, adopted into Quebec, Canada, and shaped by cross-cultural migration: Corinne Beaumier, Tong Zhou Lafrance, and An Laurence. Navigating fissures of cultural identity, they confront estrangement and re-examine their native homeland through artistic practices that dialogue with fragmented memories, seeking to reconstruct complex maps of self-perception. Under the dual forces of globalization and digitization, personal experience transcends the purely psychological, becoming a site perpetually reshaped by visual texts and cultural mechanisms. At the intersection of cross-cultural displacement, technological imagery, and visual representation, how do these artists pursue the authenticity of inner experience? The exhibition thus poses a fundamental question: How far can we see within?

Tong Zhou Lafrance’s Untitled Labour consists of several diptychs that reflect on pivotal moments in her life, including her transnational adoption in 1999, her childhood in Quebec City, and her return to China in 2012. Using archival photographs taken by her mother, she intervenes in the surface of these images with hand-stitched threads, weaving together fragments of a life shaped by geographic and cultural separation. The work reflects on the complex entanglements between Chinese manual labor, transnational adoption systems, and the reconstruction of identity. The title Untitled Labour not only to the often overlooked manual labor involved in artistic creation, but also to the invisible and unnamed lives embedded within the adoption industry.

An Laurence’s Alt + R (Alternate Reality) series begins with the construction of "pseudo-memories" to stage identity rehearsals within digital environments. Drawing primarily from family photographs taken by her adoptive parents in China during the 1990s, along with images she captured herself in China in 2023 and only minimal additional material, she distorts, erases, reorganizes, and appropriates these visuals to generate sensory circuits of temporal ghosting and informational rupture. The keyboard shortcut "Alt + R" takes on semiotic significance, suggesting the emotional tensions between undoing and redoing. Rather than retrieving memory, the work questions and reconstructs its mechanisms: where reality becomes uncertain, fiction emerges as the only graspable truth, reflecting the complex entanglement between digital technology, memory, and identity.

Corinne Beaumier’s Le fond et la form employs restrained formal language to expose the inner workings of "cultural viewing." Through an archaeological gaze, she reassembles family photos, archival footage, and museum display images into "secondary landscapes." Her focus lies not in image content but in modes of seeing. Via structural reconstruction and precise image deployment, she dismantles the visual hierarchy between "background" and "subject," challenging entrenched power dimensions in Western exhibition systems and interrogating hegemonic structures of cultural cognition.

These three bodies of work—engaging textiles, digital images, and archival structures—collectively chart an introspective path exploring "seeing and being seen," "memory and re-inscription." They propose that identity is no longer a fixed label but a mutable emotional circuit; memory, not a static image to be retrieved, becomes a dynamic process continually reshaped by technological languages, cultural codes, and psychological projections.

"How far can we see within?" transcends self-inquiry to offer incisive critique of contemporary perceptual experience. In an era of image saturation, memory drift, and identity fragmentation, art resists reductive narratives, becoming a vessel for cognitive complexity that compels reflection on the multidimensional tensions between identity, memory, and culture.

We are grateful to the Consulate of Canada and Bureaux du Québec, the Canada Arts Council, the Conseil des arts et des lettres du Québec, and the galleries / spaces welcoming the exhibition, for their support and trust.

*Please note that this version of the exhibition has been reduced to fit into the space, and that some artworks could not be shown in this space.

背景和形式工作坊

Shape and Content Workshop

主讲人 Moderator：

Corinne Beaumier

助教 Assistant：

童宙 Tong Zhou Lafrance

日期Date：

2025.6.6

14:00-16:00

地点 Location：

Hang Together(千啤&啤條)杭州市邮电路23号

费用 Cost：

80元

工作坊灵感源自 Corinne Beaumier 的诗意系列《形式与本质》，我们将引导参与者通过细腻的剪纸艺术探索个人记忆档案。建议携带承载个人历史的照片——那些与家族、传承、哀悼或纪念紧密相连的影像。

运用简约却富有变革性的剪纸技法，我们将这些照片同时作为物质载体与隐喻对象进行创作。沿袭博米尔的艺术理念，我们将在记忆表层雕刻，让形状与留白为沉思与对话开辟空间：我们选择显露什么？又剔除什么？那些镂空处最终将容纳什么？

每位参与者将完成一件蜕变后的摄影剪纸作品——既是人工制品，亦是艺术姿态。本工作坊提供与缺失感、情感联结以及图像中层层故事共处的机

会，邀请您透过那些孔洞，窥见更深远的意蕴。

Inspired by Corinne Beaumier’s poetic series Le fond et la forme, this workshop invites participants to explore personal archives through the delicate art of photo papercutting. Participants are encouraged to bring photographs that speak to their personal histories, images tied to family, heritage, and experiences of grief or remembrance.

Using simple yet transformative paper cutting techniques, we will engage with these photographs as material and metaphor. Drawing from Beaumier’s approach, we will carve into the surface of memory, allowing shapes and voids to open space for reflection and conversation. What do we choose to reveal? What do we remove? What do the empty spaces begin to hold?

Each participant will leave with a completed artwork, an altered photograph that becomes both an artifact and a gesture. This workshop offers an opportunity to sit with absence, connection, and the layered stories our images carry, an invitation to look beyond the holes.

Participants should send the picture they wish to cut to Schein space before June 4.

参与者请于6月4日前把需剪的照片发啥空间。

请扫一扫增加工作人员，备注“参与工作坊”：

这是群展｜我们在内心深处能看到多远？内心深处群展｜策展人 Curator 安媛 Laurence 艺术家 Corinne 童宙 HANG 崇真艺客

安媛 (b.1994，湖南郴州) 是?位居住在蒙特利尔的加拿?华裔独?策展?、多媒体艺术家以及实验?乐作曲家和表演者，她的作品主要围绕记忆和模糊?份的主题展开。她在视觉艺术和声?领域均有创作，作品曾在加拿?、美国、欧洲和亚洲展出，并得到了加拿?艺术委员会、魁北克艺术与?学委员会、蒙特利尔市政府以及加拿?和魁北克海外政府的?持。加拿?本地和国际媒体评价她的作品?胆、多元、有?、引??胜且富有挑战性。

An Laurence 安媛 is a Sino-Canadian independent curator based in Montreal, a multimedia artist and an experimental music composer and performer, whose work focuses on the themes of memory and ambiguous identities. Working in the fields of both visual arts and sound, her creations have been presented in Canada, the U.S., Europe and Asia, and have been supported among others by the Canada Council for the Arts, the Conseil des arts et des lettres du Québec, the City of Montréal, and the Canadian and Quebec Governments Abroad. Local Canadian and international media qualified her works of daring, eclectic, powerful, engaging and demanding.

这是群展｜我们在内心深处能看到多远？内心深处群展｜策展人 Curator 安媛 Laurence 艺术家 Corinne 童宙 HANG 崇真艺客

童宙 (b.1998，安徽铜陵) 是一位加拿大华裔艺术家，目前在中国美术学院攻读纤维艺术硕士学位。她于2021年在蒙特利尔的康考迪亚大学获得美术学士学位，并于2022年共同创立了 Soft Gong 集体，这是第一个为中国被收养者服务的法语组织。童宙的作品主要包括照片编织和纺织装置，探讨档案、流散和手工劳动等主题。从2017年到2024年，她的艺术作品曾多次在蒙特利尔和魁北克市、加蒂诺、多伦多、汉密尔顿（加拿大）、杭州（中国）和拉利特普尔（尼泊尔）展出，2025年将在上海、广州、杭州和沈阳举行展览。她获得了2024-2026年魁北克研究基金奖学金、2024年德吉尔银行青年奖学金和2024年德吉尔基金会研究生奖学金。

童宙 Tong Zhou Lafrance is a Sino-Canadian artist currently pursuing an MFA in fiber art at China Academy of Art in Hangzhou. She earned a Bachelor of Fine Arts from Concordia University in Montreal in 2021 and co-founded the Soft Gong Collective in 2022, the first francophone organization by and for Chinese adoptees. Specializing in photo weaving and textile installation, her work explores themes of archives, diaspora and hand labour. Since 2021, her art has been showcased in Canada, China and Nepal. She is recipient of the 2024-2026 Quebec Research Fund Scholarship, the 2024 Youth Scholarship from Desjardins Bank, and the 2024 Graduate Student Scholarship from Foundation Desjardins.

这是群展｜我们在内心深处能看到多远？内心深处群展｜策展人 Curator 安媛 Laurence 艺术家 Corinne 童宙 HANG 崇真艺客

Corinne Beaumier (b.1989，湖南长沙) 于 2015 年完成了蒙特利尔康考迪亚大学的艺术学士学位。她于 2014 年举办了自己的首次个展，此后一直参与群展、策展和电影项目。她的作品在整个魁北克省和加拿大都得到了认可，曾在 La Centrale、Ada X、galerie Z art、m-a-i 展出。2015 年，她获得了大西洋艺术中心的艺术驻留资格，还入围了 Aimia AGO 摄影奖奖学金计划，并获得了丰业银行新一代摄影奖的提名。

Corinne Beaumier held her first solo exhibition in 2014 and has since been involved in group exhibition, curatorial and film projects. Her work has been exhibited at La Centrale, Ada X, galerie Z Art Space and Art-image. Her work has been recognized by numerous awards. In 2015 she was awarded an artistic residency at the Atlantic Center for the Arts, and was also a finalist in the Aimia AGO Photography Prize Scholarship Program and nominated for the Scotiabank New Generation Photography Award.

特别鸣谢：