展览现场｜时之奏：八木良太个展

展览现场

艺术家八木良太（Lyota Yagi, b.1980）的最新展览《时之奏》（ときのかな，Tokinokana，Time's Sonata）已于6月8日在万一空间拉开帷幕。作为其自 2005 年以《冰唱片》开启媒介研究以来的二十年阶段性呈现，展览延续了对音视频、印刷媒介的 “信息考古” 脉络，通过摄影、装置、影像等多元形式，聚焦时间在物质、感知与媒介层面的跨维度表达。现场既有《冰唱片》以冰的物性衰变隐喻 “时间幻觉” 的经典之作，亦有《时框》《TODAY-10》等新作——前者让 “冻结的时间点” 在装置中重新流动，后者则通过 “十年前未被观测的记忆” 坍缩为 “此刻” 的视觉转化，引发观众对时空秩序的直观思考。

开幕当日，我们荣幸邀请到艺术家八木良太和策展人高江波莅临现场。以 “古代时简的人力报时” 与 “当代微波炉倒计时” 为对照，通过策展人的专业导览，为大家梳理了展览对 “时间从自然节律到效率符号” 的叙事线索。晚间特别策划的音乐派对中：艺术家与策展人以唱片机与键盘即兴演绎，声波的起伏如同作品《啸线》中 “媒介时间的显形”——将抽象的时间流动转化为可感知的声波振荡，使观众在轻松氛围中直观体验 “挣脱时间起点与终点枷锁” 的创作理念。

展览将持续至 2025年7 月 31 日。

开幕派对现场

八木良太

Lyota Yagi

八木良太生于1980年，毕业于京都艺术大学，现工作、生活于京都。他的创作涉猎声音艺术、雕塑、影像和互动装置。在创作中，他通过使用辩证思维模式，致力于打破人类局限的感知方式和学习态度，主张发掘常态以外的内容。他将现成物和既定系统重组并形成新的秩序，最大化地启发观者的知觉和机能体验。

信息时代的开启，媒体渗透各个领域，八木用一种信息考古学和人类学的视角以及艺术家的幽默，避开主流，对“前信息时代”的媒介进行了浪漫而深刻地演绎和提及。八木的作品关照五感和时间，近年甚至将视野维度拓宽至“地质时间”的领域，并将媒体间的关系并置和重构。从刚刚离开我们视野的CD和磁带到拉斯科洞穴的岩画和石雕，纸张与磁带共生，石器与打印交互，八木用一种当代艺术式的叛逆，反抗教化后的直觉。这些艺术将超越时代和媒介，用创造性来学习和反思“过去”的未知，让我们获得重新审视媒介与媒体的艺术视角。

Lyota Yagi was born in 1980 and graduated from Kyoto University of the Arts. He currently lives and works in Kyoto, Japan. He focuses on sound art, sculpture, video and interactive installations. The artist strives to break the limits of human perception and learning attitudes by thinking dialectically, and advocates the discovery of content that is beyond the norm. He reorganizes and forms a completely new order of existing objects and established systems, thus inspiring the viewer's perceptual and functional experience.

With the beginning of the information era, media constantly penetrates in all fields. In order to avoid following the mainstream, Lyota Yagi adapts an information archaeological and anthropological perspective, as well as his personal humor. He creates profound and even romantic interpretations and references to the media of the "pre-information age". Yagi’s works concentrate on the five senses and time. In recent years, he has even explored to the realm of "geological time”, and juxtaposed and reconstructed the relationship between different medias. From the CDs and tapes, things that are out of our sights at the moment, to the petroglyphs and stone sculptures of the Lascaux Caves, papers and tapes live in symbiosis, stonewares and prints dance in unison. The artist uses a contemporary rebellion to work against the instincts of indoctrination. The art will transcend time and medium. Creativity always enlights us to learn and reflect on the unknown of the "past”, and to gain an artistic perspective to re-examine the medium and media.

关于策展人

高江波，毕业于武藏野美术大学，目前在东京和郑州生活与工作。同时一直活跃在中国和日本的各种艺术舞台上。他的策展项目曾获得村上隆 "艺祭 19 "第 8 名，是该奖项历史上第一位中国获奖者。此外，十年来，他还为当代艺术领域的许多媒体撰写和提供艺术评论和文献支持。

Gao Jiangbo, graduated from Musashino Art University, he currently lives and works in Tokyo and Zhengzhou and has been active in various art scenes in China and Japan. His curatorial project was awarded 8th place in Takashi Murakami's "geisai 19", the first Chinese recipient of this award in history. In addition, he has written and provided art criticism and documentary support for many media in the contemporary art scene for ten years.

W.ONESPACE is pleased to announce its representation of German artist Friedrich Einhoff and Italian artist Robert Bosisio. Additionally, the gallery maintains enduring and in-depth collaborations with a roster of distinguished artists, including Axel Kasseb?hmer, Lyota Yagi, Chen Gaojie, Ma Hongfa, Eric Zetterquist, Teodora Axente, and Waseem Ahmed. While sustaining close ties with established artists and their artistic legacies, the gallery is also committed to nurturing the career trajectories of emerging contemporary artists. Through exhibition projects and art publications, W.ONESPACE aims to provide long-term support and promotion for both represented and deeply collaborative artists.

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