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【SPURS 新展】李宛怡：线锁，线索

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2025年10月18日—2025年11月30日
Gallery II｜马刺画廊

北京市朝阳区酒仙桥北路二号院798艺术区D-06

“?体并不仅仅是?个物理的容器，?是?个复杂的感知场域，在其中不断涌现出那些微妙却?法忽视的状态。在这个场域?，我始终在寻找那些细腻但?强烈存在的瞬间。”

——李宛怡

马刺画廊欣然呈现现居伦敦的艺术家李宛怡的个展《线锁，线索》，于Gallery II展出其最新创作的五幅绘画作品。本次展览是艺术家与画廊的首次合作，也是她在中国的首次个展，将于2025年10月18日开幕，持续至2025年11月30日。

李宛怡的创作始终围绕着身体、感知与情绪之间的互动。通过形态、色彩与节奏的交织，她试图将难以言说的内在经验可视化，让情绪在画布上生长、扩张与转化，营造出一个可供观者进入与感受的空间。

《线锁，线索》呈现李宛怡绘画实践的最新发展，一个她称之为情绪“尚未能够释放”的“停滞”阶段。过去一年中，创伤疗愈的经历在李宛怡的创作中发挥了重要作用。这一过程使她得以更敏锐地捕捉到情绪与理性、心理与身体之间的微妙动态。然而，表现在画面上，感受尚未舒展开来，便已被理性拦截而收缩。作品因此呈现出一种克制的状态：流动与凝滞并存；路径几近开启，却又循环往复。

对于李宛怡而言，这一系列作品并非?种终点性的表达，?是?次阶段性的观察，记录了她在疗愈中与?我对峙的真实时刻。同时，作品也邀请观众觉察那些未被完全释放的情绪，以及思维与感受之间的微妙平衡。

李宛怡，《一线之感》，2025，布面油画，160 x 130 cm｜Effie Wanyi Li, A Thread of Sensation, 2025, oil on canvas, 160 x 130 cm

October 18, 2025–November 30, 2025
Gallery II, SPURS Gallery
D-06, 798 Art Zone, No. 2 Jiuxianqiao Road, Chaoyang District, Beijing

I understand the body not merely as a physical vessel but as a complex sensory field in which subtle yet undeniable states continuously emerge. Within this field, I am always searching for those delicate yet intensely present moments.

—Effie Wanyi Li

SPURS Gallery is pleased to present Bounded Trace, an exhibition of five new paintings by London-based artist Effie Wanyi Li, on view in Gallery II. This marks her first presentation with the gallery and also her solo debut in China. The exhibition opens on October 18, 2025, and will remain on view through November 30, 2025.

Li’s practice revolves around the interplay between the body, perception, and emotions. Through the interweaving of form, color, and rhythm, she seeks to visualize unspoken inner experiences, allowing emotions to grow, expand, and transform across the canvas, creating a space that can be entered and felt.

Bounded Trace highlights the latest development in Li’s practice, a stage she describes as “suspended,” where emotions “have not yet found release.” Over the past year, the experience of trauma healing has played an important role in her paintings. While the process has enabled her to observe the dynamics between emotion and reason, and between mind and body, feelings contract on the canvases, intercepted by reason before they can fully unfold. The resulting compositions appear restrained. Flow and stasis coexist. Paths seem to open, only to loop back on themselves.

For Li, this body of work represents not a resolution but a phase of observation, a record of genuine moments of confronting herself amid healing. The viewer is invited to reflect on emotions held in suspension, and on the delicate balance between thought and feeling.

李宛怡，1995年出生于中国，先后毕业于伦敦中央圣马丁学院，伦敦皇家艺术学院，获美术专业学士学位和绘画专业硕士学位，现生活和工作于英国伦敦。

李宛怡的个展“Yet Always Blooming”于2024年于罗马T293 Gallery举办。近期群展包括：“Modern Nature”，William Hine Gallery，伦敦（2025）；“Fragments of Reality”，VinVin Gallery，维也纳（2025）；“Cell Struggles”，Foundry Seoul，首尔（2025）；“捕云者”，贝浩登，上海（2025）；“Holidays”，Harper’s Gallery，纽约（2024）；“Embodied Form: Painting Now”，Thaddaeus Ropac，伦敦（2024）；“Metamorphosis”，F2T Gallery，米兰（2024）；“具象形式：描绘此刻”，Bremond Capela，巴黎（2024）；“How Things Hold”，T293 Gallery，罗马（2023）；“London Calling”，Unit London，伦敦（2023）。

Effie Wanyi Li (b. 1995, China) holds a BA in Fine Art from Central Saint Martins in London and an MA in Painting from the Royal College of Art in London. She lives and works in London, UK.

Li is the subject of the solo exhibition Yet Always Blooming, T293 Gallery, Rome (2024). Recent group exhibitions include Modern Nature, William Hine Gallery, London (2025); Fragments of Reality, VinVin Gallery, Vienna (2025); Cell Struggles, Foundry Seoul, Seoul (2025); The Cloud Catcher, Perrotin, Shanghai (2025); Holidays, Harper’s Gallery, New York (2024); Embodied Form: Painting Now, Thaddaeus Ropac, London (2024); Metamorphosis, F2T Gallery, Milan (2024); Embodied Perspective: A Dialogue in Forms, Bremond Capela, Paris (2024); How Things Hold, T293 Gallery, Rome (2023); London Calling, Unit London, London (2023).