户尔空间宣布代理艺术家陈锦彬
陈锦彬 Jinbin Chen ? Team Models
户尔空间荣幸宣布代理艺术家陈锦彬
Hua International is delighted to announce the representation of artist Jinbin Chen.
陈锦彬（Jinbin Chen，b.1994，广东，中国）目前生活并工作于挪威奥斯陆及中国北京。于2021年获得奥斯陆国立艺术学院（Oslo National Academy of the Arts）艺术硕士学位（MFA），2019年获得海牙皇家艺术学院（Royal Academy of Art, The Hague）艺术学士学位（BFA）。
陈锦彬将自己的创作描述为关于身体、图像、历史、叙事与瞬间之间的相遇，这些看似短暂的交汇，往往蕴含着重新塑造亲密、生成与归属的可能。欲望、性别气质、权力关系以及亲密的政治始终是他创作的核心，它们源自个人经验，同时被延展至更广阔的集体想象之中。
近年来，绘画成为他实践的核心，同时与文字、物件、雕塑等媒介相互交织。他的肖像作品常常描绘朋友、想象中的人物或破碎的身体形象，他们处于开放、脆弱或匿名的状态中。通过这些形象，他尝试构建一种感性而不直白的情色语言。他关注凝视、姿态及人物之间的关系如何同时承载力量与脆弱，以及欲望如何在物化与温柔之间流动。
陈锦彬将绘画视作一层多孔的表面，交织着古典的姿态、科幻或亚文化的叙事、摄影的片段，并将它们融汇为层次丰富的画面，以此思考数字时代的亲密经验、图像的碎片化消费，以及古典或文学意象：如古诗或姿态如何在当代语境中重新出现。贯穿这些方向，他希望创造出一种空间，让欲望与相遇得以被重新想象，在其中，存在与缺席、主导与臣服、亲密与疏离之间的张力不断流动与转换。
近年来，陈锦彬的作品在国际上引起广泛关注。他的个展包括：“在月背独自出发 Setting Off Alone From the Far Side of the Moon”，LNM，奥斯陆，挪威（2025）；“梦舆图 Dream Atlas”，the Shophouse，香港（2024）；“舷窗 Portholes”，Standard（Oslo），奥斯陆，挪威（2023）；“后天使时代的预言 Prophecies of the Post-Angel Era”，Kunstnerforbundet，奥斯陆，挪威（2023）；“归人 Returnees”，Kohn Gallery，洛杉矶，美国（2022）；“欧米伽与（反）衰变图志 Omega and (Anti-)Decay Atlas”，Northing Space，卑尔根，挪威（2022）；“家的隐秘性 The Heimlichkeit of the Home”，Fotogalleri Vasli Souza，奥斯陆，挪威（2021）。
他近期参与的群展包括：“在冷水下出汗 Sweating Under Cold Water”，户尔空间，北京，中国（2025）；“柔情似水 Tender Comrade”，White Rabbit Gallery，悉尼，澳大利亚（2025）；“诗的诞生 Birth of Poetry”，the Shophouse，香港（2025）；“风格迥异：馆藏新选 Widely Varying Styles. Selected new additions to the collection”，The National Museum，奥斯陆，挪威（2024）；“包山包海 Swallow Mountain, Drain Sea”，Linseed Projects，上海，中国（2023）；“樱桃的神话 Myth of the Cherry Tree”，Standard（Oslo），奥斯陆，挪威（2023）；“教化：多重姿态 Indoctrination: Multivalent Gestures”，Fotogalleriet，奥斯陆，挪威（2023）。
陈锦彬的作品已被多家国际重要机构收藏，包括迈阿密当代艺术馆（Institute of Contemporary Art, Miami）、丹佛艺术博物馆（Denver Art Museum）、挪威国家博物馆（The National Museum Norway）、悉尼白兔美术馆（White Rabbit Gallery, Sydney）以及北京X美术馆（X Museum, Beijing）。
陈锦彬由洛杉矶Kohn Gallery与奥斯陆STANDARD共同代理。他将于2026年五月北京画廊周期间在户尔空间北京呈现其首次画廊合作个展。
Jinbin Chen (b. 1994, Guangdong, China) lives and works between Oslo, Norway, and Beijing, China. He received his MFA from the Oslo National Academy of the Arts in 2021 and his BFA from the Royal Academy of Art, The Hague, in 2019.
Chen describes his practice as encounters between bodies, images, histories, narratives, and moments that may seem fleeting yet hold the potential to transform intimacy, becoming, and belonging. Desire, gender temperament, power hierarchy, and the politics of intimacy remain central to his work, rooted in lived experience yet expanded into collective imaginaries.
Painting has been the core of his practice in recent years, intertwined with text, object, and sculpture. His portraits often depict friends, imagined figures, or fragmented bodies in states of openness, vulnerability, or anonymity. Through these figures, Chen constructs an erotic language that is sensuous without being explicit. He is interested in how the gaze, gestures, and relationships between figures can embody both power and fragility, and how desire operates in the space between objectification and tenderness.
Chen approaches painting as a porous surface layered with diverse references—ancient gestures, sci-fi or subcultural narratives, and photographic fragments—merging them into multi-layered tableaux. These compositions reflect on intimacy in the digital era, the fragmentary consumption of images, and the reappearance of classical or literary references such as ancient poetry or gesture in contemporary contexts. Across these directions, Chen aims to create spaces where desire and encounter are reimagined—where the intensity shifts between presence and absence, dominance and submission, intimacy and alienation.
Recent solo exhibitions include Setting Off Alone From the Far Side of the Moon (LNM, Oslo, 2025); Dream Atlas (the Shophouse, Hong Kong, 2024); Portholes (STANDARD [Oslo], Oslo, 2023); Prophecies of the Post-Angel Era (Kunstnerforbundet, Oslo, 2023); Returnees (Kohn Gallery, Los Angeles, 2022); Omega and (Anti-)Decay Atlas (Northing Space, Bergen, 2022); and The Heimlichkeit of the Home (Fotogalleri Vasli Souza, Oslo, 2021).
Recent group exhibitions include Sweating Under Cold Water (Hua International, Beijing, 2025); Tender Comrade (White Rabbit Gallery, Sydney, 2025); Birth of Poetry (the Shophouse, Hong Kong, 2025); Widely Varying Styles. Selected new additions to the collection (The National Museum, Oslo, 2024); Swallow Mountain, Drain Sea (Linseed Projects, Shanghai, 2023); Myth of the Cherry Tree (STANDARD [Oslo], Oslo, 2023); and Indoctrination: Multivalent Gestures (Fotogalleriet, Oslo, 2023).
Chen’s works are held in the collections of the Institute of Contemporary Art, Miami; Denver Art Museum; The National Museum Norway; White Rabbit Gallery, Sydney; and X Museum, Beijing.
Jinbin Chen is represented by Kohn Gallery, Los Angeles, and STANDARD (Oslo).
He will present his first solo exhibition with Hua International in May 2026 during Gallery Weekend Beijing.
同期展览
2025.11.1 - 2026.1.24
关于户尔空间
About Hua International
户尔空间（Hua International）是一家位于柏林与北京两地的当代艺术画廊，展览、出版和公共项目致力于跨学科及行为表演的艺术实践。画廊专注于发展与艺术家长期动态的合作关系，以其地理上的两地性为依托，扩展艺术家及其作品在迥异文化背景下的展览和接受。
以 XC.Hua 为名，经历了两年实验艺术策展项目运营积累后，花笑婵于2020年8月正式更名成立了户尔空间（Hua International），并在北京798艺术区、柏林历史悠久的当代艺术中心之一麦卡托庭院分别设立空间。在常驻两地空间之外，户尔空间也在国际知名的艺术博览会展示其艺术家作品。
Hua International is a contemporary art gallery located in Berlin and Beijing whose exhibitions, publications, and public programming supports cross-disciplinary and performative artistic practices. The gallery focuses on developing long-term relationships with its represented artists and leverages its geographic bilocation as a means to critically expand how their work can be presented and received in radically diverse cultural contexts.
After two years curating the experimental art and performance project XC.Hua, Xioachan Hua founded Hua International in August 2020 and inaugurated the new gallery with spaces in Berlin’s historic Mercator H?fe and Beijing’s acclaimed 798 Arts District.
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