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又生空间｜郑丽晶个展《静态流痕》顺利开幕

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2025年10月25日，郑丽晶个展《静态流痕》于北京798艺术区又生空间CYCLE SPACE开幕。本次展览展示了艺术家郑丽晶以东方传统壁画艺术为创作根基，通过对敦煌莫高窟、麦积山石窟、炳灵寺等古代石窟艺术的实地考察与研究，深入探索壁画中浅浮雕形式的独特表现力。这种兼具雕塑空间语言与壁画平面特征的艺术形式，启发了对二维与三维转换的持续思考，并由此创作出浅浮雕坦培拉系列作品。童年记忆中的灶神年画、剪纸窗花、皮影戏、田野小庙等民间艺术元素，以及少数民族文化的田野调查经历，构成了创作中重要的精神养分。作品试图在当代艺术语境中重新诠释这些传统视觉符号，通过个人化的艺术语言探讨在世俗评价体系之外，个体如何建立内在秩序、对抗精神虚无的永恒命题。将传统坦培拉技法与浅浮雕形式相结合，在材料实验中探索绘画与雕塑的边界。作品既延续了古代壁画的叙事传统，又赋予其当代精神内涵，在形式与内容的双重维度上拓展图像表达的多种可能性。

On October 25, 2025, "Static Flow Marks" opens at CYCLE SPACE in Beijing's 798 Art District. This exhibition presents artist Zheng Lijing's works rooted in traditional Eastern mural art. Through on-site research and studies of ancient grotto art—including the Dunhuang Mogao Grottoes, Maijishan Grottoes, and Bingling Temple—she delves into the unique expressive power of low relief in murals. This art form, which integrates sculptural spatial language with the planar nature of murals, has inspired ongoing reflections on the transformation between two-dimensional and three-dimensional forms, leading to the creation of her low relief tempera series. Folk art elements from her childhood memories—such as Kitchen God New Year paintings, paper-cut window decorations, shadow puppetry, and rural shrines—along with fieldwork experiences in ethnic minority cultures, serve as vital spiritual nourishment for her artistic practice. The works seek to reinterpret these traditional visual symbols within the context of contemporary art, and via a personalized artistic vocabulary, examine the eternal proposition of how individuals establish inner order and resist spiritual emptiness beyond secular evaluation systems.By combining traditional tempera techniques with low relief forms, Zheng explores the boundaries between painting and sculpture through material experiments. Her works not only inherit the narrative tradition of ancient murals but also endow them with contemporary spiritual connotations, expanding the diverse possibilities of visual expression in both formal and content dimensions.