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藝術家News｜楊伯都｜黑鷹，白鷹—龍美術館

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楊伯都｜黑鷹，白鷹—龍美術館

Yang Bodu｜Black Eagle, White Eagle—Long Museum

展期｜2025.11.13 – 2026.01.11

開幕暨貴賓預覽｜2025.11.12 16:00

策展人｜崔燦燦

地點｜龍美術館西岸館階梯展廳

Dates｜2025.11.13 – 2026.01.11

Ceremony & VIP Preview｜2025.11.12 16:00

Curator｜Cui Cancan

Venue｜Staircase Gallery, Long Museum West Bund

叢林 3:95 Mirkwood 3:95, 2025

布面·油畫 Oil on canvas, 308x200 cm

藝術家楊伯都將於11月13日至1月11日在龍美術館舉辦個人展覽《黑鷹，白鷹》，此次展覽將展出藝術家「美術館」與「叢林」建築等一系列創作。畫面上，『敞門』矗立於美術館內外建築空間、陡峭山崖旁的石窟以及幽深叢林中的裝置建物中，連接起每個獨立的空間。藝術家以『敞門』作為觀看的媒介，門後幽暗而龐大的建築如黑鷹般矗立，光線沿著門縫而入，在內外、虛擬與真實之間產生獨特的時空關係，並形構出觀看與被觀看的視覺層次與張力。這些遊走於虛實之間的空間，揭示出藝術家長期對景觀、建築與觀看權力的思辨。

在美術館 8:23 In the Museum 8:23, 2025

布面·油畫 Oil on canvas, 80x60 cm

Yang Bodu will present a solo exhibition, Black Eagle, White Eagle, at the Long Museum from 13th November to 11th January, featuring the artist's work on a variety series of subjects, including “In the Museum" and “Mirkwood”. In the painting, the “Open Door” is positioned within architectural spaces, such as museums, grottoes carved into cliffs, and dense forests, connecting each independent space. The artist uses “Open Door” as a viewing medium. Behind the door is a vast and shadowy structure that resembles a black eagle. When light shines through the cracks, it creates a unique spacetime between the inside and outside, virtual and real, and forming visual hierarchies and tensions between observation and being observed. These spaces which wander the realms of the virtuality and reality, reveal the artist's longstanding speculation of landscape, architecture, and the power of seeing.

潭 4:20 POND 4:20, 2025

布面·油畫 Oil on canvas, 43x24 cm

楊伯都，1986年出生於天津，2008年獲天津美術學院學士學位，2012年獲賓夕法尼亞美術學院碩士學位。她於2011年獲得了Justine Cretella紀念獎學金，於2012年年度學生展覽中獲得了Fellowship Trust Prize。楊伯都於2021年入選The Artsy Vanguard全球藝術先鋒榜單，於2025年榮獲ARTnews中文版“年度青年藝術家”獎。

她的創作始終圍繞著精神層面的藝術景觀展開。在以繪畫為主線的實踐中，藝術家持續關注並描繪了一系列博物館、美術館等藝術機構的建築空間，並將這些人造結構融入石窟、洞穴及叢林等自然意象之中，構建出了筆下這些抽象、空曠而又理想化色彩的空間敘事。

近年來，楊伯都進一步探索創造出真實的繪畫場景，呈現出由光影與結構交織而成的“建築瞬間”。她的作品誕生於這些充滿神秘感的空間內部，游走於私人感受與公共場域、創造與凝視、觀看與被觀看的多重邊界之間。

石窟 7:44 Cave Temple 7:44, 2025

布面·油畫 Oil on canvas, 80x60 cm

Yang Bodu was born in Tianjin in 1986. She received her BFA from the Tianjin Academy of Fine Arts in 2008 and her MFA from the Pennsylvania Academy of the Fine Arts in 2012. During her studies at PAFA, she won the Justine Cretella Memorial Scholarship in 2011 and the Fellowship Trust Prize for her presentation at the Annual Student Exhibition in 2012. In 2021, Yang was featured in The Artsy Vanguard, and she also won the “Young Artist of the Year” of ARTnews China in 2025.

Yang’s work revolves around what she describes as a “spiritual artscape.” Through a practice centered on painting, she explores architectural spaces—museums, galleries, and other art institutions—merging these constructed forms with imagery of grottoes, caves, and jungles to create abstract, spacious, and idealized spatial narratives.

In recent years, Yang has shifted toward creating immersive painted environments—what she calls “architectural moments”—born from the interplay of light, shadow, and structure. Within these enigmatic spaces, her work navigates the ambiguous boundaries between private emotion and public space, between creation and contemplation, between seeing and being seen.