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新氧艺 O2art｜彭斯个人项目「冷火焰」｜展位2F05｜2025 西岸艺术与设计博览会

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2025 西岸艺术与设计博览会

Westbund Art & Design

新氧艺O2art｜O2art Space

展位 | Booth 2F05

彭斯个人项目

Peng Si's Solo Project

展期｜Duration

2025.11.13 - 2025.11.18

贵宾预览｜VIP Preview（仅限邀请）

2025.11.13（周四｜Thur.）13:00 - 19:00

公众开放｜Public Days

2025.11.14（周五｜Fri.） 12:00 - 18:00

2025.11.15（周六｜Sat.） 12:00 - 18:00

2025.11.16（周日｜Sun.） 12:00 - 18:00

2025.11.17（周一｜Mon.） 12:00 - 18:00

2025.11.18（周二｜Tue.） 12:00 - 18:00

地址｜Venue

上海市龙耀路7号西岸会展中心

Westbund International Convention & Exhibition Center, 7 Longyao Rd, Shanghai

新氧艺O2art将于2025年11月13日至18日期间，在西岸艺术博览会荣幸推出艺术家彭斯的个人项目「冷火焰」，展览聚焦于呈现彭斯的肖像与抽象绘画，从中可窥见其最新的绘画理念与感悟，为深入解读此项目，我们特邀策展人杨天歌撰文，深度剖析彭斯近期的的艺术思考与实践。

O2art is honored to present "The Cooled Ones", a solo project by artist Peng Si, at West Bund Art & Design from November 13 to 18, 2025. The exhibition focuses on Peng Si’s portrait and abstract paintings, offering a glimpse into his latest artistic concepts and insights. To deepen this project, we invited curator Yang Tiange to provide an in-depth interpretation of Peng Si’s recent artistic reflections and practices.

青年卢西安·弗洛伊德 Young Lucian Freud

布面油画

Oil on canvas

180×108cm 2025

圣徒 The Saint

布面油画

Oil on canvas

70×50cm 2025

从外观而言，这些肖像画的颜色脱离了现实，因其基调显出一种不可言说的绚烂（哪怕是那些暗调子的画），这却连接起看似与肖像画全然无关的抽象画——在抽象画的色彩中，如花似朵的绚烂表达显然更为直接。只是，花开时绚烂，转一时，花败便坠入黯淡；一时之繁盛，意味着另一刻的颓败，绚烂的状态于是似乎总隐含着一些颓丧似的。

若纳入时间的维度，盛衰的变化是一种必然，那么看似对立的状态，实际也是发乎一体的。“如花似朵”，所指不仅为画面的色彩与状态，也是画中不可辨识的抽象之物的一重比喻——画中“抽象的具象物”，如花、如雾、似山、似石：对于画家，是具体的状态的外显和生命之流的片刻凝结（所谓“具象”）；对于观者，它们是形与色的构成，是或有所指的意象（所谓“抽象”）。再一次，一如绚烂与颓丧的共存，抽象与具象也共时地生长在这些画中。

由是，一即二，二即一。肖像、抽象乃一体，绚烂、黯淡合为一流，如静水、如流水，是生生不息的变换的节律。

节选自杨天歌文

马赛尔·杜尚 Marcel Duchamp

布面油画

Oil on canvas

60×50cm 2025

法国作家安德烈?纪德 Andre? Gide

布面油画

Oil on canvas

50×40cm 2025

In terms of appearance, the colors of these portraits break away from reality—their tones exude an indescribable splendor, even in the darker works. This splendor connects them to abstract paintings that seem entirely unrelated to portraiture: in the colors of the abstract works, the flower-like vivid expression is noticeably more direct. However, when flowers bloom in glory, they soon fade into dimness; a moment of prosperity implies decay in the next, so the state of splendor always seems to harbour a touch of melancholy.

From a temporal perspective, the change between prosperity and decline is inevitable. What appear to be opposing states actually originate from the same source. "Flower-like" refers not only to the colors and states in the paintings but also serves as a metaphor for the indistinguishable abstract elements within them—those "abstract concrete forms" that resemble flowers, mist, mountains, or rocks. For the artist, they are the externalization of specific states and the temporary condensation of the flow of life (the so-called "concrete"); for the viewer, they are compositions of form and color, and suggestive imagery (the so-called "abstract"). Once again, just like the coexistence of splendor and melancholy, abstraction and concretion grow synchronously in these works.

Thus, one is two, and two is one. Portraiture and abstraction are one; splendor and dimness merge into a single stream—like still water and flowing water, forming an endless rhythm of transformation.

Excerpt from Yang Tiange’s essay

砥砺者 Tempered One

布面油画

Oil on canvas

90×70cm 2025

虚镜 The Virtual Mirror

布面油画

Oil on canvas

180×150cm 2025

熔裁 Fusion and Pruning

布面油画

Oil on canvas

220×180cm 2025

艺术家

Artist

彭斯，1980年出生于湖南衡阳，2004年毕业于中央美术学院版画系，现生活工作于北京。

近年个展：2024年，“一笔一笔：2017-2024日常工作方法彭斯个人项目”，新氧艺 O2art；2023年，“曼德尔布罗的纳西瑟斯”，新氧艺O2art，北京；2022年，“曜曜——彭斯个展”，新氧艺O2art×北京画廊周特别项目，北京；2016年，“新山水——彭斯油画”，中国美术馆，北京；2014年，“景物斯和——彭斯艺术展”，北京画院美术馆，北京。

2018年之后，彭斯在武夷山驻地创作的经历，使彭斯从大家所熟知的对古典绘画领域的探索，从而转向以自身感知为主体的自由创作。脱离了对绘画史的关注而转向自然。自然物与绘画中隐匿的联系提示了艺术家，从此他开始借助自然的拐杖，希望能够倚靠自己身体与直觉的感知，并把这些感受诉诸画面。

无论是人物肖像，还是花草树木，都成为了艺术家“画“的载体，他大胆地采用了他以往绘画中回避的鲜艳色彩，将炫目的光线、茂盛的景象、浓烈的情绪都投射于肖像面孔与意想的风景之中。在新的个人项目中，作品有了更多从书法笔意中生长的绘画理解。

Peng Si, was born in Hengyang, Hunan，2004 Graduated from Print-Making Department, Central Academy of Fine Arts, Currently living and working in Beijing.

Solo exhibitions: 2024, One Stroke at a Time: Approaches to Daily Work from 2017 to 2024 Peng Si project, 2023, Narcissus of Mandelbrot, O2art Space, Beijing; 2022, Luminary-Peng Si Solo Exhibition, O2art Space, Beijing; 2016, New Mountain and Water-Oil painting Art Exhibition of Peng Si National Art Museum of China, Beijing; 2014, Harmonia–Peng Si Solo Exhibition, Art Museum of Beijing Fine Art Academy, Beijing;

After his residency in Mount Wuyi in 2018, Peng Si’s artistic practice shifted from his well-known exploration of classical painting toward a more self-perception-based, liberated form of creation. Moving away from a focus on art historical discourse, he turned instead to nature. The hidden connections between natural forms and painting revealed themselves to the artist, and from then on, he began using nature as a kind of support—a “crutch”—relying on his own bodily and intuitive perception, channeling these sensations directly into his work.

Whether in portraits or depictions of flowers and plants, all became a vehicle for the artist’s “painting.” He boldly adopted vivid colors that he had previously avoided, projecting dazzling light, lush scenery, and intense emotion onto the faces of his subjects and imagined landscapes. In his latest personal projects, the works demonstrate a deeper understanding of painting, one that emerges from the expressive tradition of calligraphic brushwork.

正在展出

陈督兮个展

「欸乃」

2025.11.07-2025.12.06

即将展出

2025 ART021上海廿一当代艺术博览会

2025.11.13-2025.11.16

新氧艺O2art成立于2011年，早期以策划不固定空间的展览项目形式存在，长期代理并运营年轻艺术家的当代艺术机构。2018年，在北京顺义创办新的O2art艺术空间，2022年迁至798艺术区。画廊深耕当代艺术领域，在多元化的艺术风格中，寻找与陪伴具研究精神的创作者。我们的理念是通过展览呈现与职业跟随，推出优秀的中国艺术家个案。未来将保持专业与开放，成为融合国际沟通的艺术资源平台，以研究、呈现、参与，成为中国当代艺术生态中不可或缺的成员。

O2art was established in 2011. Initially operating as a project-based exhibition space, it has long been intricately involved in championing and fostering young contemporary artists. In 2018, we opened a new space in Shunyi, Beijing, and moved to the 798 Art District in 2022. The gallery has been deeply involved in the contemporary art field, seeking and accompanying artists with a research-driven spirit across diverse artistic styles. Our philosophy is to present exhibitions and support the professional development of artists, introducing outstanding Chinese artists to the art world. Moving forward, we aim to maintain professionalism and openness, becoming a platform that bridges international communication and art resources. Through research, presentation, and participation, we strive to become an indispensable part of the Chinese contemporary art ecosystem.