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液态讲座｜聲，從耳也：以音为弓，以声为箭

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聲，從耳也：以音为弓，以声为箭

Sound from the Ear: Tone as Bow, Voice as Arrow

本次讲座，從耳的创始人之一刘?、殷漪，将围绕“從耳”的文化主旨与实践，以实际的案例与样本展开对于当下艺术生态中声音实践与研究的观察与讨论，包括声音剧场化、器楽实验、即兴音乐、噪音艺术等。

主理人还将介绍各自在“從耳”中主要的工作内容。

这些工作包括：实验性音乐事件的报道与评论，实践者与研究者的专题采访，组织策划线下系列表演的方向以及工作坊的运作等。同时两位艺术家还会在讲座中分享“從耳”机构工作对于自身的创作与实践的启发和影响。

For this lecture, Liu Pi and Yin Yi, co-founders of SoundFields, will discuss the cultural intentions and practices of the initiative. Through concrete cases and examples, they will examine and reflect on sound practices and research within the contemporary art ecology, including theatrical approaches to sound, instrumental experimentation, improvisational music, and noise art, among others.

They will also introduce their primary responsibilities within SoundFields, which include: reporting and critical writing on experimental music events; conducting in-depth interviews with practitioners and researchers; curatorial planning of offline performance series; and organizing workshops. Additionally, both artists will share how the work at SoundFields has inspired and influenced their own artistic creation and practice.

「主讲人」

SPEAKER

刘? LiuPi

艺术家、音乐人、制作人

现生活工作于北京。美院油画系出身，其作品媒介主要涉及架上绘画、逐帧动画或影像、声音装置或行为等形态，以静态或实时的形式呈现于展览或现场内。在音乐方面，他作为制作人、作曲人、演奏者等身份以唱片出版的形式进行个人或团体性的合作与出品。在表演方面，他以马林巴、电颤琴或鼓组等打击乐为主要形式语言，辅以低音吉他或钢琴等进行现场演出。

2024年其担纲制作人的器楽专辑获得第35届台湾金曲奖“最佳演奏类专辑”奖提名，并同时获得第2届腾讯 Billboard·浪潮音乐大赏“最佳爵士楽专辑”奖。

殷漪 YinYi

音乐家、艺术家，策展人

现工作生活于上海。1998年组建慢核乐队“死亡诗社”，贝司手兼主唱。2001年转向数字音乐创作。殷漪早期的音乐创作领域包括：现场音乐表演、现代舞、肢体剧场。委约其音乐作品的表演团体和编导包括“组合嬲”(上海)、Rubato 舞团(柏林)、广东现代舞蹈团、谢欣舞蹈剧场、二高表演、郭睿。近年来殷漪的音乐实践主要集中于现场个人电脑音乐，基于实地录音的音乐创作以及音乐在社会结构中的功能性探索。在声音艺术创作中，殷漪的作品富有哲思与诗意。他对于公共空间的观察与思考敏锐且深度，相关作品兼具前卫与批判精神。他提出“听觉 - 声音空间”这一概念，尝试建立一套围绕此概念的工作方法，与其他学科建立跨领域合作。

殷漪的首个机构个展“我听到了”于2025年4月在上海余德耀美术馆举办。

Liu Pi

Artist, Musician, Producer

Liu Pi currently lives and works in Beijing. Trained in oil painting at an art academy, his practice spans painting, stop-motion animation and video, sound installation, and performance, presented both in exhibitions and live contexts in static or real-time forms. In music, he works as a producer, composer, and performer, releasing both solo and collaborative projects in album format. In performance, he primarily uses marimba, vibraphone, and drum set as his main expressive instruments, supplemented by bass guitar and piano in live appearances.

In 2024, the instrumental album he produced was nominated for Best Instrumental Album at the 35th Golden Melody Awards (Taiwan), and won Best Jazz Album at the 2nd Tencent Billboard Wave Music Awards.

Yin Yi

Musician, Artist, Curator

Yin Yi currently lives and works in Shanghai. In 1998, he founded the slowcore band Death Poets Society, serving as bassist and lead vocalist. In 2001, he shifted toward digital music creation. His early musical work included live music performance, contemporary dance, and physical theatre. Groups and choreographers who have commissioned his compositions include NIAO Collective (Shanghai), Rubato Dance Company (Berlin), Guangdong Modern Dance Company, Xie Xin Dance Theater, ErGao Performance Group, and Guo Rui. In recent years, his musical practice has focused on live computer music, field-recording-based composition, and the functional role of music within social structures. In the field of sound art, his works carry philosophical depth and poetic sensibility. His observations and reflections on public space are sharp and profound, combining avant-garde vision with critical insight. He has proposed the concept of “Aural – Sound Space,” seeking to build a methodology around it and develop cross-disciplinary collaboration.