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78 Space展览预告|拾紫个展:礼祝

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78 Space展览预告|拾紫个展:礼祝 崇真艺客

拾紫个展:礼祝

展期:2025年12月18日 - 2026年1月19日

机构:78 Space

地址:浦东新区滨江大道4801


ShiZi: LiZhu
Dates: 
2025.12.18 - 2026.1.19

Venue: 78 Space
Address: 4801 Binjiang Avenue, Pudong New District, Shanghai



78 Space展览预告|拾紫个展:礼祝 崇真艺客

《金水经幡》

绢本设色,非遗技法,综合材料,70x90cm,2025

??拾紫,图片来源:艺术家提供


2025年12月18日至2026年1月19日,拾紫的全新个展 “礼祝”闪亮登场。本次展览聚焦艺术家融合东西方智慧的创作实践 —— 以绢本设色为基底,非遗技法为骨架,珠宝研粉为肌理,将东方 “天人合一” 哲学与西方量子时代的能量频率认知深度共振。拾紫通过矿物颜料的刚健与绢本纤维的温润交融,探索 “金水相生” 的宇宙观与生命观:当错彩镂金的视觉张力遇上流转的留白场域,既激活了传统材质的当代生命力,也让非遗技艺成为承载跨文明对话、连接集体意识与个体感知的精神载体。

From December 18, 2025 to January 19, 2026, ShiZi's new solo exhibition "LiZhu" makes its grand debut. This exhibition focuses on the artist’s creative practice that integrates Eastern and Western wisdom—taking silk painting with mineral pigments as the foundation, intangible cultural heritage techniques as the framework, and jewelry-powdered pigments as the texture. It enables a deep resonance between the Eastern philosophy of "harmony between man and nature" and the Western understanding of energy and frequency in the quantum age. Through the fusion of the robustness of mineral pigments and the tenderness of silk fibers, ShiZi explores the cosmic view and life view embodied in "the interdependence of metal and water": when the visual tension of exquisite gilding and rich coloring meets the flowing negative space, it not only revitalizes the contemporary vitality of traditional materials, but also turns intangible cultural heritage techniques into a spiritual carrier that facilitates cross-civilization dialogue and connects collective consciousness with individual perception.

《金水相生日月系列》

绢本设色,非遗技法,综合材料,60x80cm,2025

??拾紫,图片来源:艺术家提供



策展前言

文 / 苏冰

艺术上海博览会、国家艺术基金策展人

艺术家拾紫最新创作和展出的近三十幅当代绢本绘画,基于她多年的艺术创作和思考探索。她的创作思维天马行空,富有想象力,灵感始于对文化根源和量子世界的感知,更是与中医、风水同源的高维认知系统相呼应;而创作媒介又延续了丝帛作为“礼序乐和”的仪式感和宇宙观,将传统审美与量子时代的叙事结合,形成对生命体祝福的当代诠释。

《金水相生系列·致敬马远十二水图》组画是这种思维交融的典型呈现,在画面重构中,金水相生不再仅是命格象征,更暗合弦理论中振动创造万物的哲学。河图洛书的"天一生水,地六成之"与量子力学观察者效应形成奇妙呼应:当观者凝视画作时,波函数塌缩为现实的过程,恰如能量与物质的转化。而《紫水金生》组画则通过汉紫的科技特性,将二维压缩的时空观融入绘画,让2800年前的人工矿物颜料在量子维度展开新的叙事。中国紫——在1992年,被科学家第一次从汉朝的俑器上发现其在秦兵马俑身上被大量使用,所以人们普遍将其称作“中国紫”,也称汉紫。这个拥有2800年历史的人工颜料,能在近红外范围内发射强大的光线并具有将三个维度压缩到两个维度以下的能力,深深浅浅的紫水金生,指向四维镜像的平行空间。春夏秋冬,过去,现在,将来,都是你……

她将中国根源审美“错彩镂金”与当代艺术的解构并置,这种碰撞不是对抗,而是如金水相生般的能量互补——西方哲学的理性分析与中国传统的直觉感悟,共同构建出天人合一的当代表达。弦理论也赋予艺术家启发,振动能量弦与蚕丝的自然振动形成跨时空同频;绢本绘画的每一笔触,既是艺术家对现实的观察,也是将振动能量转化为物质的尝试。

艺术家拾紫的绢本绘画系列邀请我们相信:所有存在都是频率的交响。在这场东西方文明的对话中,艺术成为连接过去与未来的桥梁,实验与探索也始终扎根于文化土壤的滋养中。

《金水相生系列·紫水金生》组画

绢本设色,非遗技法,综合材料,60x80cm,2025

??拾紫,图片来源:艺术家提供



《礼祝》创作感言

——来自潜意识的能量波

文 / 拾紫

尼古拉·特斯拉曾揭示宇宙奥秘的关键密码:“想要破译宇宙运行的底层逻辑,必须从能量、振动与频率的维度切入。”天人合一是中国传统哲学的基本特征和核心思想,其根源可追溯至先秦之前。恰巧在量子时代的今天,东西方的这两种观念从不同的角度出发,结果却不谋而合。

当我意识到,中国的根源文化里有高维智慧和认知时,对比解读量子时代的未来,有一种豁然开朗的全新视野。而本土文化油然而生的自觉,是对文化根源与精神信仰的坚守,亦承载着民族的精神与价值观。

中国艺术不仅仅是视觉艺术,它是与中医和风水同一高维认知的价值体系。中国人会用最贵的一等珠宝碾成粉末做颜料,那是因为中国艺术表达的是与高维能量的同频共振,作品的一部分是给眼睛看的,但绝大部分是给我们的潜意识与集体意识去做连接的。那被我们称之为龙脉的是最高能量的集体意识,而龙图腾,其实就是一种正弦波,即正念系统,是获取幸福人生的关键因素。

蚕,天虫也。中国文化里面认为丝绸是具有跨越纬度的功能,所以绫罗绸缎特别指代富贵,而丝帛上的绘画,是把自身的愿望与祝福与天沟通的礼仪。我这次展览的作品全部为绢本,延续这样的传统仪式,将错彩镂金的中国根源审美与非遗技法共创的当代艺术表达,是对所有人命运的最高祝福,也是一种多维叙事和哲学思辩的新尝试。让中国的传统携手西方当代,共同探索AI时代的量子世界,开启与未来的文明对话。



ARTIST | 艺术家


78 Space展览预告|拾紫个展:礼祝 崇真艺客


拾紫,中国根源文化与非遗共创的当代艺术家,中国艺术的当代表现主义,多维量子态艺术。独立艺术策展人。拾紫文化创始人。


从事艺术文化行业多年,从西方现当代艺术到中国传统诗书画印的系统性学习;从中国非遗技艺到日本茶花香道的钻研;从东方的连山易到西方的哲学思想,从视觉艺术到音乐、舞蹈、表演等领域;用18年的时间研学了东西方的主流文化和艺术,涵盖广泛的全艺术领域。社会集体意识+心理学+宇宙论三重透镜,将中华文明的正念系统作为精神导航,完善东方宇宙生命观天人合一的多维量子态表达。构建从集体意识到个人潜意识天地吉庆观的动态叙事,系统性地表达中国的根源文化,是中国艺术的当代表现主义。 


秉承东方美学复兴、艺术生活化的理念,用中西融合的绘画技法及非遗文化的表现形式来诠释当代的艺术思想,用东方人文生态的系统性表达艺术赋能新的东方生活方式产业生态群。


上海汽车会展中心车载X艺术空间《摩登上海》参展艺术家,上海

意大利国际驻地艺术展《人来人往》  参展艺术家,意大利

上海意大利中心《天降祥瑞》艺术个展,上海          

法国秋季沙龙展(Le Salon d‘Automne)入选艺术家,巴黎

ShiZi is a contemporary artist dedicated to the co-creation of Chinese root culture and intangible cultural heritage, a practitioner of contemporary expressionism in Chinese art, and an explorer of multi-dimensional quantum art. She is also an independent curator and the founder of ShiZi Culture.


With years of experience in the art and culture industry, ShiZi has pursued systematic study ranging from Western modern and contemporary art to traditional Chinese poetry, calligraphy, painting, and seal carving; conducted in-depth exploration from Chinese intangible cultural heritage techniques to Japanese tea ceremony, flower arrangement, and incense art; and delved into fields spanning from Lianshan Yi (one of the three ancient Chinese divination texts) in Eastern culture to Western philosophy, as well as from visual art to music, dance, and performance. Over 18 years, she has researched and studied mainstream Eastern and Western cultures and arts, covering a broad spectrum of comprehensive art fields.


Through the triple lenses of social collective consciousness, psychology, and cosmology, ShiZi takes the mindfulness system of Chinese civilization as her spiritual guide, and refines the multi-dimensional quantum expression of the Oriental cosmic view of life centered on "harmony between man and nature". She constructs a dynamic narrative that extends from collective consciousness to the view of "heaven and earth’s auspiciousness" in individual subconsciousness, systematically expressing Chinese root culture as a representative of contemporary expressionism in Chinese art.


Upholding the concepts of reviving Oriental aesthetics and integrating art into daily life, ShiZi interprets contemporary artistic ideas through integrated Chinese-Western painting techniques and the expressive forms of intangible cultural heritage. She empowers the new industrial ecosystem of Oriental lifestyle by virtue of the systematic expression of Oriental humanistic ecology in art.


Her exhibition experience includes:

Participating artist in Modern Shanghai at the Vehicle-mounted X Art Space of Shanghai Auto Exhibition Center (Shanghai, China);

Participating artist in People Coming and Going at the Italian International Residency Art Exhibition (Italy);

Solo exhibition Heaven-sent Auspiciousness at the Shanghai Italian Center (Shanghai, China);

Selected artist for Le Salon d’Automne (Paris Autumn Salon, Paris, France).

78 Space展览预告|拾紫个展:礼祝 崇真艺客

作品入选2025年10月29日至11月2日2025法国秋季沙龙展(Le Salon d'Automne)。法国秋季沙龙展(Le Salon d'Automne)是由罗丹、雷诺阿等艺术家于1903年10月31日倡导创办的国际大型综合艺术展览,每年在巴黎举办,具有百年历史。该展览最初为落选法国官方展览的艺术家提供平台,后发展为现代艺术核心阵地,1920年以"20世纪现代艺术之橱窗"定位扬名国际。展览维持高水准遴选,曾拒绝立体派大师布拉克1908年参展作品,却也孕育了野兽派并催生立体派等现代艺术流派。百余年间,高更、塞尚、马蒂斯、毕加索等艺术大师均在此展出,徐悲鸿、刘海粟、常玉、林风眠、赵无极、吴冠中、潘玉良等华人艺术家亦相继入选。

Work Selected for Le Salon d‘Automne, October 29 – November 2, 2025. 

Founded on October 31, 1903, by renowned artists including Auguste Rodin and Pierre-Auguste Renoir, Le Salon d'Automne is a prestigious international comprehensive art exhibition held annually in Paris, boasting a century-long legacy. Initially established as a platform for artists rejected by France's official exhibitions, it evolved into a core hub of modern art and gained global acclaim in 1920 with its positioning as "the showcase of 20th-century modern art."

Upholding rigorous selection standards, the exhibition once declined works by Cubist master Georges Braque in 1908, yet played a pivotal role in nurturing Fauvism and inspiring the Cubist movement, among other modern art schools. Over more than a hundred years, it has featured works by artistic giants such as Paul Gauguin, Paul Cézanne, Henri Matisse, and Pablo Picasso. Meanwhile, prominent Chinese artists including Xu Beihong, Liu Haisu, Sanyu (Chang Yu), Lin Fengmian, Zao Wou-ki, Wu Guanzhong, and Pan Yuliang have also graced its roster of selected artists.




78 Space

78 Space展览预告|拾紫个展:礼祝 崇真艺客


78 Space地处黄浦江渡口,致力于打造高端沙龙,主办或承办各类项目与活动,推动经典与优质的文化艺术,形成囊括经典艺术、奢侈品、高端定制、商务活动等多维业态的综合性文化品牌。


Located at the ferry port of the Huangpu River, 78 Space is committed to creating high-end salons, hosting or organizing various projects and events, promoting classic and high-quality culture and art, and forming a comprehensive cultural brand encompassing classic art, luxury, high-end customized activities, etc..

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