18位艺术家的“大地叙事”！“重回大地”展用多元艺术解锁栖居方式的新思考

1963 年出生于江苏，中国艺术研究院文学艺术院教授，中国工笔画学会副会长。1980 年他考入南京艺术学院，主习传统中国画。此后他的主要方向是以现代观念改造中国传统绘画，使传统美学在新的图像中得到再生，形成风格并产生影响。他同时也以装置、影像等作为创作媒介，延展其绘画理念，提倡将中国传统的文化“原理”转化为当代视觉认知，以艺术史知识谱系构建与未来的联系。

Born in 1963 in Jiangsu Province, China. Professor of Chinese National Academy of Arts, Vice President of China Hue Art Association. Xu first enrolled at the Nanjing University of the Arts in 1980 and majored in traditional Chinese painting. Since then, Xu's art practice has been dedicated to transforming traditional Chinese painting with modernist approaches, reviving its aesthetics in new visual iterations, using styles for compelling impact. He adopts installation and video as creative media to extend his painting concepts, advocating the translation of traditional Chinese cultural "principles" into contemporary visual perception and building connections to the future with a genealogy of art historical knowledge.

1968 年出生于重庆，1992 年毕业于四川美术学院。作品《无人之境》《何时离去》两次荣登中国摄影年度排行榜（2023，2016）。2011 年， 荣 获候登科纪实摄影奖。他还曾因《北方，南方》系列作品获得连州国际摄影年展的年度杰出艺术家金奖（2008）。骆丹的作品被美国旧金山现代艺术博物馆、成都麓湖 A4 美术馆、成都当代影像馆等多家艺术机构和个人收藏。骆丹现在生活工作于中国四川成都。

Born in 1968 in Chongqing, China. Graduated from the Sichuan Fine Arts Institute in 1992. Luo's works "No Man's Land" and "When to leave" have twice won the annual ranking of Chinese photography (2023, 2016). In 2011, he won the Hou Dengko documentary photography award; He also won the Golden Medal of Artist of the Year at the Lianzhou International Photography Annual Exhibition (2008) for his North, South series. Luo Dan's works have been collected by multiple art institutions and individuals, including the San Francisco Museum of Modern Art, LUXELAKES·A4 Art Museum, The Chengdu Contemporary image Museum. Now, Luo Dan lives and works in Chengdu, Sichuan, China.

生于四川巴中，现工作、生活于成都。其创作跨越影像、绘画与装置，以个人记忆与地缘政治为线索，关注个体经验在时代叙事中的流变。作品在现实与象征之间建立张力，通过多重媒介与空间并置，探讨信仰、边界与他者的精神形态。其影像具有时间性的诗意与哲学深度，在冷静的现实注视中揭示人类经验的脆弱与延展。

Born in Bazhong, Sichuan Province, China. Now living and working in Chengdu. Li's practice spans image-based media, painting, and installation, using personal memory and geopolitical context as the guiding threads to explore how individual experience shifts within

the narratives of our times. His works build tension between reality and symbolism, employing multiple media and spatial juxtapositions to reflect on belief, boundaries and the spiritual dimension of the other.

1974 年出生于重庆，2005 年毕业于四川美术学院版画系，获硕士学位。现生活工作于重庆、贵阳。 王俊的创作主要是基于绘画及其由此生发的项目实践。他的创作以一种持续自我怀疑的、主动去制造蓄谋与失控并行的方式展开。王俊一直将“绘画”视为一个词汇，并试图用创作去触探对这个词汇认知与操作的边界。 他不满足于直接或简单地对图像进行转译，而是通过不断的否定、擦拭、重建去靠近一种感知的真实，并努力让自己践行的创作方法凸显成为“内容”。

Born in 1974 in Chongqing, China. Wang graduated from the Department of Printmaking of Sichuan Fine Art Institute with BA (1999) and MA (2005). He currently lives and works in Chongqing and Guiyang Province. Wang Jun's creations are mainly based on painting and the project practices derived from it. His creation unfolds in a way of continuous self-doubt, actively creating both conspiracy and loss of control. Wang has always regarded "painting" as a term and has attempted to explore the boundary between the cognition and operation of this term through creation. Wang is not content with directly or simply translating images. Instead, he approaches a perceived truth through continuous negation, erasing and reconstruction, and strives to make the creative methods he practices stand out as "content".

1975 年出生于山东淄博，美术学博士，现任教于天津美术学院， 二级美术师，研究生导师。中国美术家协会会员，中国工笔画学会执行秘书长兼青年艺委会主任。 曾在关山月美术馆等美术馆举办个展，受邀及入选第五届全国中国画展、第十、十一届、十二届全国工笔画作品展、北京双年展、济南双年展、新疆双年展等重要展览，两次获中国美协“百家金陵画展”典藏作品（原金奖），作品被中国美术馆等收藏。

Born in 1975 in Zibo, Shandong Province, China. Wang holds a PhD in Fine Arts. He currently teaches at the Tianjin Academy of Fine Arts and holds the professional title of Second-Class Artist. He is also a postgraduate supervisor. Wang is a member of the China Artists Association and serves as Executive Secretary-General of the Chinese Gongbi Painting Society, as well as Director of its Youth Art Committee. Wang has held solo exhibitions at institutions including the Guan Shanyue Art Museum. His works have been invited to and selected for major national and international exhibitions, such as the 5th National Exhibition of Chinese Painting, the 10th, 11th, and 12th National Gongbi Painting Exhibitions, the Beijing Biennale, the Jinan Biennale, and the Xinjiang Biennale.

1982 年生于宁波，现工作于上海。 2008 年于四川大学中国画山水画专业获得硕士学位，继而在荷兰获得 Frank Mohr 学院绘画专业艺术硕士学位。2022 年，毕蓉蓉作为全球三位获奖者之一，在劳斯莱斯“缪斯”艺术项目首届“欢庆女神挑战“中获奖；2024 年，毕蓉蓉入围中国香M+博物馆“SIGG PRIZE 希克奖 2025”。 毕蓉蓉拥有扎实的传统中国山水画基础。她尝试运用各种媒材，从不同的社会文化中提炼并重组影像及图案。她的多媒体作品充满视觉冲击力，通过解构绘画和纺织品的传统形式，为物质性、建筑和自然形态赋予新的诠释。

Born in 1982 in Ningbo, Zhejiang Province, China. Now working in Shanghai. Bi received her MA in Chinese Traditional Landscape Painting at Sichuan University in 2008, followed by an MFA in Painting from the Frank Mohr Institute in the Netherlands. In 2022, Bi Rongrong was one of the three global winners of the Spirit of Ecstasy Challenge in Muse, the Rolls-Royce Arts Programme; in 2024, Bi Rongrong has been shortlisted for the "Sigg Prize 2025" at the M+ Museum in Hong Kong, China. Trained in traditional Chinese landscape painting, Bi Rongrong explores a diverse range of media, extracing and reconfiguring images and patterns from different social and cultural contexts. Her multimedia works are visually compelling, deconstructing traditional forms of painting and textiles while offering new interpretations of materiality, architecture and natural forms.

1981 年生于美国洛杉矶，2003 年毕业于洛杉矶洛约拉马利蒙特大学，并于2008 年在旧金山加州艺术学院取得艺术硕士学位。布雷德创作了自传式的绘画和素描，展现她与自然的深层联结。透过对关怀与守护的思考，她的作品记录了周遭环境的静谧、美丽与坚韧，同时也捕捉了她身为母亲的时光流转。

Born in 1981 in Los Angeles, USA. Michelle Blade received her BA from Loyola Marymount University in 2003 and her MFA from California

College of the Arts, San Francisco, in 2008.She makes autobiographical paintings and drawings that reflect her deep communion with the natural world. Reflecting on care and stewardship, her work documents the stillness, beauty and persistence of the environment around her while simultaneously capturing the seasons of her parenthood.

生于四川，于 2014 年获得伦敦艺术大学纯艺术摄影硕士学位，目前工作生活于成都。她的作品曾获得中国第七届三影堂摄影奖大奖，入选福布斯 2017“30 UNDER 30（Art）” 亚洲榜单。她的作品融合了多种媒介与形式，常生发于对自然与生命形式在不同尺度上的反思，致力于探索宇宙图景与深层时间（Deep Time）在当下的物质性显现。在近年持续推进的项目中，她聚焦于中国西南横断山脉的历史痕迹，关注如何由人类的在场为起点，以超越人类时空尺度的视角，寻找与重建不同存在方式的交汇，从而感应那些被折叠的、不可见的生态记忆与知识体系。

Born in Sichuan Province, China. Chen received her MA in Photography from the London College of Communication, University of the Arts London in 2014. Currently living and working in Chengdu. Chen was awarded the Three Shadows Photography Award (2015) and named one of Forbes Asia’s "30 Under 30" (2017). Her practice integrates multiple mediums and forms, often originating from reflections on nature and life forms across varying scales. She is dedicated to exploring how cosmic landscapes and "Deep Time" manifest within contemporary materiality. In her recent ongoing projects, focusing on the historical traces of the Hengduan Mountains in southwestern China, Chen focuses on how to take human presence as a starting point to adopt a perspective beyond human space-time scales. She seeks to find and reconstruct the intersection of different modes of existence, thereby sensing the folded, invisible ecological memories and knowledge systems embedded in the land.

1992 年生于东莞，于 2019 年获得皇家墨尔本理工大学与香港艺术学院合办的艺术学士学位，现居中国香港。邓广燊的多媒体创作结合了石墨绘画、油画、现成物件、摄影、录像和装置。对邓广燊而言，不同媒介有不同的作用——石墨铅芯笔素描就像一个坚实的重拍，而油画像轻身一点的拍子。透过在作品上嵌入照片和其他材料，将绘画转化为物件、将物件重构及诠释，邓广燊把记忆重叠记忆，借此表达其在渴望、失落和归属之间既微妙又错综复杂的联系。

Born in 1992 in Dongguan, China,Tang Kwong San received his BFA in 2019 through the joint program between RMIT University and the Hong Kong Art School. He currently lives and works in Hong Kong, China.Tang Kwong San's multimedia practice spans graphite drawing, oil painting, objects, photography, and video installations. His process is rigorous, with each medium serving a distinct role. Graphite provides a steady, rhythmic foundation, while oil painting adds a lighter, more lyrical counterpoint. By embedding photographs and found materials into his works, Tang transforms paintings into objects—reconstructing and reinterpreting them to explore the layered interplay of memory. Through this process,he conveys the subtle, interwoven relationships between longing, loss,and belonging.