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又生空间｜展览《神性的周遭——艺术家群展》顺利开幕

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2026年1月17日，展览《神性的周遭——艺术家群展》于北京798艺术区又生空间CYCLE SPACE开幕。罗兰·巴特的“神话学”中提到，日常物体的神话化，本质上是意识形态对符号的“自然化”的赋魅过程。当一个自然物承载了人的情感、理想或信仰时，其所象征的意义便得以不断丰富，逐渐完成向精神维度的升华乃至神性的跃迁。在理性思维主导的现代社会，六位艺术家重新审视人与日常物体之间的逻辑；在个体感知与宇宙叙事、具象存在与神性哲思的交融中，终于完成了对于精神世界的探索和超越。他们以各异的艺术语言，唤醒大众对于“存在” 本身的敬畏之心，也悄然印证了那份千百年来亘古不变的哲学智慧。由物及我，由我及宇宙；所谓神秘而遥远的神话，其实就藏匿于生活的褶皱之中。

On January 17, 2026, Sacred Surroundings: Group Exhibition opened at CYCLE SPACE in the 798 Art Zone, Beijing. In Mythologies, Roland Barthes points out that the mythologization of everyday objects is, in essence, an “enchanting” process through which ideology naturalizes signs. When a natural object comes to carry human emotions, ideals, or beliefs, its symbolic meaning is continually enriched, gradually completing an elevation toward the spiritual dimension, and even a transition toward the divine. In a modern society dominated by rational thinking, these six artists re-examine the logic between humans and everyday objects. Through the convergence of individual perception and cosmic narratives, and of concrete existence and sacred contemplation, they ultimately complete an exploration and transcendence of the spiritual world. Through diverse artistic languages, they awaken a renewed sense of reverence for “existence” itself, quietly reaffirming a philosophical wisdom that has remained unchanged for millennia. From object to self, and from self to the universe, the myths often regarded as distant and mysterious are in fact hidden within the folds of everyday life.