「万里不挑一 VOL.5」
Unparalleled collection Vol.5
Chi
NO.202, 2nd Floor, Sea World Culture & Arts Center, Shenzhen
芝??
Chi
十余年来,芝持续以私人收藏者的身份,系统性地关注并收藏古代与当代艺术,她的收藏并不指向宏大叙事,而是回到生活本身,从器用与审美的细部,体察东方文化中对美的理解。自2018年起,她以环翠阁、拾美堂为美学实践空间,倡导并践行一种「At Home」的当代园居生活方式。 2019 年,芝创办生活与器物品牌 「隈 Life」。品牌以造物与空间为核心实践,聚焦器物与材料的在地性,探索宋瓷与其他传统材料在当代生活中的应用与延展,尝试在当下语境中重建器物、材料与工艺的东方表达与日常之间的深层关系。2021—2025 年间,她策划并呈现十余场以器物、工艺与生活美学为主题的展览,包括:「至皑至玄——中国陶瓷黑与白」、「竹语三千——百年竹编艺术展」、「石之美者——唐宋石器展」、「形式的意味:史前中国陶纹里的抽象宇宙」、「此刻无声——中国宋代瓷器与摄影师丘 Qiu 的对话」以及「北风:磁州窑——民艺精神的回响」等。与此同时,她亦深度参与餐饮与空间美学实践,从「兰亭永」百年建筑的活化、探索传统材料的新表达,将艺术、展览、宋瓷、庭园,引入餐饮空间,构建美食、器物、艺术与食客的相遇,兰亭永连续3年获广州米其林一星及连续两年米其林绿星。目前,芝正筹划全新艺术空间「永画廊 Yong Gallery」,计划于 2027 年 3 月在大湾区整体呈现,继续以展览、收藏、空间与物的表达为径,以当代艺术与传统艺术的对话,提出关于生活与美的问题。Chi, born in the 1970s, art collector and curator.For over a decade, Chi has continuously and systematically engaged with both ancient and contemporary art from the perspective of a private collector. Rather than pursuing grand historical narratives, her collecting practice returns to everyday life. Through close attention to objects, utensils and aesthetic details, she reflects on how aesthetics is understood and embodied in Eastern cultural traditions. Since 2018, Huancui Garden Villa and House of beautiful things have served as her spaces for aesthetic practice, through which she proposes and practices an “At Home” vision of contemporary garden living.
In 2019, Chi founded the lifestyle and object brand V-LIFE. Centered on making and spatial practice, the brand focuses on the locality of materials and objects, exploring the contemporary application and extension of Song dynasty ceramics and other traditional materials in daily life. Through this exploration, it seeks to reconstruct, within today’s cultural context, the profound relationship between objects, materials, craftsmanship, and everyday living as an Eastern mode of expression.
Between 2021 and 2025, Chi curated and presented more than 10 exhibitions addressing objects, craftsmanship, and the aesthetics of life. These include Chinese Ceramics in Black and White; Hundreds of Bamboo Crafts Art Exhibition; Fine Stone Tools in Chinese Art; Art, Myth and Ritual: An Appreciation of Neolithic Pottery from Ancient China; Silent at This Moment: Chinese Song Dynasty Chinese Ceramics in Dialogue with Qiu’s Photography and Echo of The North: The Living Tradition of Cizhou Ware.
Moreover, Chi has been deeply engaged in culinary and spatial aesthetic practices, from the adaptive reuse of the century-old building Yong to the exploration of new expressions of traditional materials. By bringing art, exhibitions, Song dynasty ceramics, and garden elements into the dining space, she creates encounters between cuisine, objects, art, and diners. Through this holistic approach, Yong has been awarded one Michelin star in Guangzhou for three consecutive years, as well as the Michelin Green Star for two consecutive years.
Currently, Chi is preparing a new art space, Yong Gallery, scheduled to open in March 2027 in the Greater Bay Area. Through exhibitions, collecting, spatial practice, and the articulation of objects, the gallery will continue to foster dialogues between contemporary and traditional art, raising questions about life and beauty.
古往今来,艺术总与生活方式串联在一起,而且往往并非以阳春白雪、“生人勿近”的方式呈现。这些作品、物件或是非实体的存在,互相交织互相反应,一并构成了一张完整的线索网络,将主人交游、审美情趣、以及其对于艺术与生活的态度全方位地展露。Vol.1 在“万里不挑一”第一期项目中,艺术家周力首次对公众展出其横跨多学科的丰富收藏,呈现她的审美与意识世界。这些藏品和展厅中心的绘画作品有上下互文的关系,引导着观众逐步从“窗外世界”探入艺术家的“窗内世界”,周力的“艺术家形象”在日常且细微的叙事之中变得更为丰富立体,而在这个过程中,其自身也以“观众”的身份再次感受到了自我。
?万一空间 Copyright?W.ONESPACEVol.2展出了艺术家洪浩近年来不同系列的作品,并通过直观呈现其工作室部分原始状态,借以探寻艺术家在创作背后对于人文、材料、物质、收集、消费等的观念和考量。若真需要提到“收藏”这个词,那洪浩比较像在收藏自己的人生。从最初的《藏经》到最具代表性的《我的东西》,以及逐渐演变至今的《万相》,《往复》,《物境》等系列,洪浩发展出了一种特殊的,对于下信息与个人日常使用的物品收集和排列的形式,并始终保持着这种对既定客观存在的观察与反思。但从艺术家的角度来说,收集并不是他的目的,这些行为更像是自己生活流水账般的记录,艺术家仅试图去呈现一种证据感,一种客观的还原。
?万一空间 Copyright?W.ONESPACE
Vol.3旨在呈现和展示艺术家倪有鱼的作品和收藏,探寻艺术家构建下独特的古今艺术交融的独特美学体系。倪有鱼的作品深受其中国画背景和父亲建筑绘图影响,注重“手的执念”和“严谨精度”,其创作过程与古代写经的精神相似,追求“静修”而非“顿悟”。展览通过倪有鱼的创作和收藏,探讨了艺术与生活的融合,以及艺术家如何在日常中寻找并展现新的面貌。
?万一空间 Copyright?W.ONESPACEVol.4聚焦艺术家陈量十余年来对禅宗与民间艺术的研究与收藏,呈现以虚堂智愚、寒山、拾得等高僧诗偈为主题的书写作品、研究书目及田野中采集的民俗物件。展览以“照壁”“庙会”“禅窟”三部分构成,探讨书写、民艺与社会语境的内在联系。陈量通过对书写边界的延展与田野调研,探索从民间艺术到禅宗机锋的生命化表达,将文字、图像与身体经验融合为自由的“灵知书写”。他以“像农民一样在田地里工作”的方法论,深入民间文化,重构艺术与生活的关系,呈现出一条由民艺至明心见性的自我修习之路。
?万一空间 Copyright?W.ONESPACE
“万里不挑一”为万一空间推出的系列特别企划,每期将邀请不同角色的艺术从业人士,为观众带来自己的艺术作品以及横跨多学科的收藏。该项目旨在通过万一空间这一弥合古今和多元艺术形态的特殊平台,使主展人在展厅内还原一个艺术与生活的平衡点,以此让观者真情实感地理解收藏如何与生活融合。借由一个“真实发生”的场景,抛开对艺术种类的冗余界定,以一个能够亲身感知的角度,去体味艺术背后的故事与丰富的意识世界。
The unparalleled collection series “n.one in a million” is a new project held by W.ONESPACE. In each episode, we invite different art practitioners, jointly showing an image that contains unique personalities and aesthetic interests of multi-perspective. As a field that bridges the past and present of the complex art forms, W.ONESPACE provides a unique platform to the host, letting them reveal the balances between art the lives, therefore enabling the audiences to truly understand how the host's collections affect their works and how they relate to their life. Through re-presenting and re-constructing the real living scene, we want to put aside the redundant interpretation of any art form, just offering an angle that could be perceived to see the story and the spiritual world behind the works.
万一空间是由三位90后艺术从业者在深圳创立的艺术空间。其诞生于疫情席卷全球的2020年,在后疫情时代涌现对艺术与生命的全新思考。空间致力于消解当代与古代的边界,融合美学研究逻辑下的现当代与古代艺术,构建一个不同国家、时期和形式的艺术在同一语境下共容的场域。W.ONESPACE is an art gallery founded in Shenzhen by three Generation Y art practitioners. It was established in 2020 during the outbreak of the COVID-19 pandemic. New perspectives on art and life have emerged in this post-pandemic era. W.ONESPACE aims to melt the boundaries between present, future and the past by mixing contemporary and ancient art under the logic of aesthetic research, thus bringing together arts of different countries, different periods and different forms to interact and express in unity as ONE.
万一空间平行时空分支????
weonspice为一个灵感、冲动和际遇碰撞交错的实验场,这里有灵机一动、不切实际或偶尔严肃的思考和行动。