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读懂艺术家 | 丁乙 × 朴石元 × 金德汉：在叠加与打磨之间

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本期“读懂艺术家”系列推文聚焦“潜象：隐匿的真实——中日韩抽象艺术展”，把镜头对准二十世纪中叶以来十五位中日韩艺术家如何在抽离与返观之间，让线条、色面、质地成为时间的容器。展览不追潮流，不编年叙事，只让作品在暗合呼吸的节奏里彼此映照：山水的余影、书写的骨力、漆层的体温、水滴的执念……它们共同构成一条“东方抽象”的潜流——既与欧美现代主义保持批判距离，又把物性伦理与历史伤痕编织进画面。我们邀请读者暂时搁置“像不像”的旧标尺，把展厅当作静室，去聆听那些几乎听不见的“材料低语”，辨认抽象深处尚未被命名的情感坐标。

本期解读艺术家

Preview

丁乙 Ding Yi

朴石元 Park Suk Won

金德汉 Kim Deok-Han

艺术家简介

Artist Biography

丁乙，1962年生于中国上海，毕业于上海大学美术学院国画系，现工作生活于上海。其创作以 “十”字及其变体“X”为核心视觉符号，并将这一标志作为结构和理性的代表以反映事物的本质。

Ding Yi was born in 1962 in Shanghai, China, and graduated from the Chinese Painting Department, College of Fine Arts, Shanghai University. He currently works and lives in Shanghai. His artistic practice centers on the character “十” (ten) and its variant “X” as core visual symbols. He regards this symbol as a representative of structure and rationality, reflecting the essence of things.

展出作品

Works

十示 2016-14

Appearance of Crosses 2016-14

椴木板上丙烯、木刻

Acrylic and woodcuts on basswood

120cm × 120cm

2016年

广东美术馆藏

Collection of GDMoA

十示 2018-5

Appearance of Crosses 2018-5

椴木板上丙烯、木刻

Acrylic and woodcuts on basswood

120cm × 120cm

2018年

广东美术馆藏

Collection of GDMoA

“光”是丁乙在“仰视”阶段创作中所刻画的重要母题，通过色彩的对比碰撞营造出一种精神性的“光”。丁乙理解的光有别于自然界的光，他把对光的理解拓展到了精神层面。

"Light" is an important motif in Ding Yi's "overlooking" stage of creation, creating a spiritual "light" through the contrasting colors. Ding Yi expands is own understanding of light to the spiritual level, which is different from the interpretation in nature.

展览现场

艺术家简介

Artist Biography

朴石元，韩国当代雕塑史上的领军人物，1942年生于韩国，毕业于弘益大学雕塑系，现生活工作于首尔。其雕塑多以金属与石材等为媒材，表现自然力量与几何形体之间的平衡与张力。

Park Suk Won, a leading figure in the history of contemporary Korean sculpture, was born in 1942 in South Korea. He graduated from the Sculpture Department of Hongik University and currently lives and works in Seoul. Using materials such as metal and stone, his sculptures express the balance and tension between natural forces and form.

部分展出作品

Selected Works

积意-240524

Accumulation-240524

布面蓝色韩纸

Blue Korean hanji paper on canvas

162.2cm × 130.3 cm

2024年

积意-250423

Accumulation-250423

布面黄色韩纸

Yellow Korean hanji paper on canvas

162.2cm × 130.3 cm

2025年

朴石元以韩纸这一媒介探索韩国抽象雕塑的发展方向，将累积和重复的概念延伸至平面，通过材质与空间的张力表现人与自然的对话。其创作对韩国当代雕塑的发展具有重要影响。

Park Suk won explores the evolution of Korean abstract sculpture through the use of hanji, extending the concepts of accumulation and repetition into two-dimensional space. Through the tension between material and space, he expresses the dialogue between humanity and nature, making a significant contribution to contemporary Korean sculpture.

展览现场

艺术家简介

Artist Biography

金德汉，1981年生于韩国大邱，本科毕业于韩国培材大学漆艺系，后获韩国明知大学文化遗产保护管理硕士学位，现工作于韩国首尔。他以漆料的涂覆、剥离与打磨的劳动性工序，探讨时间与记忆的痕迹。

Kim Deok-Han was born in 1981 in Daegu, South Korea, and holds a BFA in Lacquer Art from Paichai University and an MA in Cultural Heritage Conservation from Myongji University. He currently works in Seoul. His practice employs multiple layers of lacquer, peeled and polished, to explore traces of time and memory.

部分展出作品

Selected Works

划分

Division

漆、铝板

East Asian lacquer on aluminium

4.5cm × 10cm × 150cm × 7

2020年

艺术家先使用麻布或亚麻布覆盖木板，涂覆多层涂漆，最后打磨表面。这一过程使得下层隐藏的色彩在不经意间显露出来，创造出一种偶然与必然并存的构图。

The artist first covers the wooden panel with hemp or linen fabric, then applies multiple layers of lacquer before finally polishing the surface. This process allows the hidden colors beneath to emerge almost unintentionally, creating a composition where chance and necessity coexist.

浓缩系列 24-20-01、24-20-02、24-20-03、24-20-05

Compressed Series

24-20-01; 24-20-02; 24-20-03; 24-20-05

漆、不锈钢板

East Asian lacquer on stainless steel

直径20cm × 4

20cm Diameter × 4

2024年

在创作中，艺术家先涂覆上一层薄漆，再将漆和陶土混合，形成第二层。随后逐层添加颜料，同时以砂纸不断打磨，在保留上层痕迹的同时显露出下层隐藏的颜色，使漆以沉淀或侵蚀般的方式嵌入作品之中。

The work is first coated with a thin layer of lacquer, followed by mixing lacquer with clay for the second layer. Pigments are then added layer by layer while the surface is repeatedly sanded, leaving traces of the upper layer and revealing the hidden colors beneath. The lacquer embeds itself into the work as if through sedimentation or erosion.