展览回顾｜风中的早晨

黄嘉熙 HUANG JIAXI

动如脱兔，呆若木鸡｜Swift as a hare, Stiff as a board

不锈钢线、蒸笼、玻璃瓶、玛瑙平衡仪、柳枝、空调滤网等综合材料 | Stainless steel wire, bamboo steamer, glass bottle, agate, balancing instrument, willow branch, air conditioning filter and other composite materials

一根不锈钢线从天花板垂落，延伸至地面，形成一条既悬挂又行走的路径。沿着这条路径，不同尺度与质地的物件被悬挂、安置于空间之中。

这些物件来自日常生活的拾取与收集，也来自手工制作与创作间隙的随心产物。它们没有被组织成明确的系统，也不承担固定的象征意义。在物件之间、物件与空间之间的关系，在观看与行走中逐渐显现。

A stainless steel wire descends from the ceiling, extending to the floor to form a path that is both suspended and traversable. Along this route, objects of varying scales and textures are suspended or placed within the space.

These objects originate from everyday finds and collections, as well as from the spontaneous creations born during moments of crafting and artistic endeavour.

They are not organised into a defined system, nor do they bear fixed symbolic meanings. The relationships between the objects themselves, and between the objects and the space, gradually reveal themselves through viewing and walking.

郭敏啸 GUO MINXIAO

翻过这一页 | Turn the page

白钢、纸本综合 | White steel, mixed media on paper

“翻过这一页”是个轻巧的说法。当然，历史并不轻巧，甚至偶有锋芒——所以需要审慎对待。

Turning the page is a rather light-hearted way of putting it. Of course, history is no trifling matter, and may even occasionally prove sharp-edged—perhaps warranting a more cautious approach.

林慧寧 Hui

一首长诗 | A long poem

诗歌、弹力带、记号笔 | Poetry, resistance bands, marker pens

条水平贴于离地约30cm墙面的弹力带……似一条象征性的警戒、水位线，用于储存记忆、情感。一个微微不详、有威胁感，但没有实际损害的水位。本次展出为经过版，根据环境改造而成的现成品装置。

A horizontal elastic band affixed to the wall approximately 30cm above the floor... like a symbolic warning line or water level, serving to store memories and emotions. A slightly ominous, threatening water level that causes no actual harm. This exhibition presents a modified version, an installation created from found objects adapted to the environment.

陈哲仁 CHEN ZHEREN

疲惫解剖 | Anatomy of Exhaustion

铁衣架、木衣架、不锈钢棒、编织袋 | Iron hangers, wooden hangers, stainless steel rods, woven bags

对系统性压力的“心理免疫”，正缓慢地磨损感知。 

The psychological immunity to systemic stress is slowly eroding perception. 

沈同舟 SHEN TONGZHOU

2 Hours of ... help you...

单屏影像 | Single-channel video 

一件会偶尔偷偷动一下的平面雕塑。也是AI对油管上一个名为二战军官监督你学习两小时的视频的迷因。

A flat sculpture that occasionally twitches. It's also an AI meme inspired by a YouTube video titled World War II Officer Monitors Your Study Session for Two Hours.

林猷顺 LIN YOUSHSUN

商标景观图 | Trademark Landscape Diagram

综合材料拼贴 | Mixed media collage

我将身边商品的商标剪下来，以自己的叙事方式贴在了卷轴上形成图景。让大家畅游在现代商业的山水中。或许你有自己的职业山水和理念山水，一起来小题大做吧。

I cut out trademarks from everyday goods around me and pasted them onto scrolls in my own narrative style, creating scenes that invite everyone to wander through the landscapes of modern commerce. Perhaps you have your own professional landscapes or conceptual vistas—let's make a big deal out of small things together.

无所事事牌 | Idle Pass

PVC

经历了某些无聊痛苦的循环后，我选择自行无所事事了一段时间。在这期间不做有关我的“正业”的事。只在其中用无所事事来抵抗和体会，我认为无所事事不应被贬义，他是人类所共有的一种正常状态。来看展的人们，我邀请你们无所事事一会，不要担心现实，这是一个抽离的时刻……

After enduring a tedious cycle of pain, I chose to do nothing for a while. During this period, I refrained from any activities related to my “main occupation.” I used idleness solely to resist and experience—for I believe idleness should not be viewed pejoratively; it is a natural state shared by all humanity. To those visiting the exhibition, I invite you to do nothing for a moment. Set aside your worries about reality—this is a moment of detachment...

地球人小制作指南 | A Little Guide to Earthlings

笔记本 | Notebook B5

我将一些想做但最后因为各种原因没去做的疯狂的，灵机一动的想法记在了这里，等待着有人来做或者有人来写下自己的想法。有想法的人尽情去想，实现想法的人标注一下贡献者就好。这里不用担心版权，只有你去想和你去做。

I've jotted down some crazy, spur-of-the-moment ideas here—things I wanted to do but never got around to for various reasons. They're waiting for someone to take action or jot down their own thoughts. Feel free to brainstorm away if you have ideas; just give credit to the original thinker when you bring them to life. No need to worry about copyright here—it's all about thinking and doing.

无所事事时期的日记 | Diary of a Period of Idleness

笔记本 | Notebook B5

我将无所事事时写的日记收集起来，日记的文字很平常，像流水账，像草稿。他只是几近真实地记下我在这期间的变化。

I gathered the diaries I wrote during my idle days. The entries were ordinary, like a daily log or rough draft. They merely recorded, almost truthfully, the changes I underwent during that period.

菊台散跋 | Postscript to the Chrysanthemum Terrace

笔记本 | Notebook B5

这本诗集的内容取自微信的对话，我在我们常用的微信中给朋友们私聊发问：“你可以给我即兴一首诗吗？”朋友们做出了很快的回答，这种快速让他们来不及掩盖自己，我得已看见那个更真实的他们。在这个时代，我们已经越来越无法无所事事，我谨借此诗集来拾起大家心中的落叶。

This collection of poems draws from conversations on WeChat. I privately messaged friends in our usual group chat: “Can you write me an impromptu poem?” Their swift responses left no time for pretense, revealing their truest selves. In this era, we grow increasingly unable to simply do nothing. Through this poetry collection, I humbly gather the fallen leaves in everyone's hearts.

叶锦程 YE JINCHENG

黑火 | Black Fire

海洋板、低压钠灯、灯具、欧根纱、防火网、光轴 | Marine board, low-pressure sodium lamp, luminaire, organza, fireproof mesh, light shaft

消失的人以及被符号化的事件和火焰。

The vanished people and the events and flames reduced to symbols.

江汶函 JIANG WENHAN

集合 | Assembly

硫酸纸，铜版纸 | Sulphate paper, coated paper

十张以冷色调为主的摄影集，这组摄影作品以多元的意象与符号构建视觉表达。让镜头成为对话自我与世界的媒介，在具象与抽象的交织中，探索存在、消失与感知的深层含义。

Ten photography collections dominated by cool tones, this series constructs visual expression through diverse imagery and symbols. The lens serves as a medium for dialogue between self and world, exploring the profound meanings of existence, disappearance, and perception within the interplay of concrete and abstract.

邱俊磊、沈同舟 

QIU JUNLEI、SHEN TONGZHOU

打电话 | Play Ping-Phone

电视屏幕、手机 | TV screens, mobile phones

“Ping-Phone”这个词魔改于“Ping-Pong”，即将“打乒乓”转变为“打电话”，也就是用手机打乒乓球。 

作品的起因是沈同舟与邱俊磊在打乒乓时都没有拍子，但又很想进行“打乒乓”，因此选择了用手机代替拍子，进行了一场“Ping-Phone百分争夺战”。这里的录像来源于手机的前置摄像头记录下的整个过程。同时，为了传播“Ping-Phone”，还配备了其他三个影像：比赛的第三人称旁观视角，“Ping-Phone”的基础教学视频，以及一个球被不断颠起的手机前置摄像头视角。

The term “Ping-Phone” is a clever twist on “Ping-Pong,” transforming “playing ping-pong” into “making phone calls”—essentially playing ping-pong with a mobile phone. 

The project originated when Shen Tongzhou and Qiu Junlei found themselves without paddles during a ping-pong match but still eager to play. They improvised by using their phones as paddles, launching a “Ping-Phone 100-Point Showdown.” The footage here was captured entirely by the front-facing camera of a mobile phone. To promote “Ping-Phone,” three additional videos were created: a third-person spectator view of the match, a basic tutorial video for “Ping-Phone,” and a front-facing camera perspective showing a ball being continuously bounced.