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户尔北京 | 陈丹笛子&袁铭「时间，是身体穿行之物 Time Is the Thing a Body Moves Through」| 即将开幕

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时间，是身体穿行之物

Time Is the Thing

a Body Moves Through

艺术家 Artists

陈丹笛子 Chen Dandizi

袁铭 Yuan Ming

开幕 Opening

2026.03.14 4:00 pm

展期 Duration

2026.3.14-5.6

地址 Address

北京市朝阳区酒仙桥路2号798艺术区东街D08-3
D08-3, 798 East Street, 798 Art District, No.2 Jiuxianqiao Road, Chaoyang District, Beijing

户尔空间很荣幸为您呈现艺术家陈丹笛子与袁铭的双个展“ 时间，是身体穿行之物”。展览标题借用了T Fleischmann 的著作 Time Is the Thing a Body Moves Through。书中以性别转变作为隐喻的叙述，在这里被延伸为对身体如何在时间中移动，并与世界中的物体与动作建立关系的思考。通过绘画、影像与装置，袁铭与陈丹笛子共同展开一系列关于转化的探索。在这一过程中，物体逐渐获得主体性，而图像则在重复、折叠与时间的流动中慢慢生成。

两位艺术家的创作常以脆弱而日常的材料为起点，例如礼品盒、玫瑰、蜡烛、书本与壁纸。在她们的作品中，这些元素并不是静止的象征，而更像是行动发生的场域。纸被折叠成花朵，盒子被展开为图像，简单的动作在不断重复中延展为一连串变化。展览围绕着“制作”与“再造”的过程展开，意义并非预先存在，而是在时间的推移中逐渐形成。正如袁铭所说：“意义的生成并不会在作品完成时结束。它会继续发生在观众的困惑、判断与理解之中，在一种微妙的灰色地带里，让解释始终保持开放。”

展览邀请观众像阅读一首诗那样进入作品，让碎片、节奏与沉默自然产生回响，并接受这样一种可能：身份、情感与意义并不是固定的状态，而是一种不断变化的过程。形态会持续被时间塑造，因为时间正是身体所穿行之物。

The exhibition takes its title from T Fleischmann's book, expanding the gender transition allegory as a reflection on the body's relation to objects and gestures in the world. Across painting, video and installations, Yuan Ming and Chen Dandizi explore processes of transformation in which objects shift toward subjecthood and images emerge through repetition, folding, and time.

Both artists work with fragile materials and everyday forms: gift boxes, roses, candles, books and wallpaper. These elements appear not as static symbols but as sites of action. Paperis folded into flowers, boxes flatten into images, and simple gestures unfold into sequences. The exhibitionis structured around acts ofmaking and remaking in which meaning is never fixed but gradually produced through time. As stated by Yuan Ming:" This process of meaning-making does not end when the artworks are finished. It continues with the viewers being confused or deciding what it is, creating a subtle grey zone in which interpretation remains open."

The exhibition invites viewers to inhabit the works as one inhabits a poem. Letting fragments, rhythms and silences produce their own resonances and accepting that identity, emotion and meaning are not fixed states but processes like forms continuously shaped by the simple fact that time is the thing a body moves through.

陈丹笛子 Chen Dandizi, 玫瑰，玫瑰 Rose, The Rose, 2026

单频影像 Single-channel video, 14' 50", Edition of 5 + 1 AP

袁铭 Yuan Ming,不在场证明X Alibi X,2025

布面油画 Oil on cotton canvas, 25 x 25 cm

袁铭 Yuan Ming, Ennui I 倦 I,2026

MDF板上蛋彩 Egg tempera on MDF, 40 x 60 x 1.8 cm

ABOUT

the Artist

关于艺术家

陈丹笛子

Chen Dandizi

1990 年出生于中国广西，目前生活并工作于中国浙江。陈丹笛子的作品涉及视频、装置、摄影和文学等多种形式，用独特的视角揭示了关于自然和人类景观的私人瞬间洞见，并将这些瞬间所揭示的更大社会结构和个人心理展现出来。她运用自然界的意象，创造叙事和情感的纽带，将我们的混合现实引入更加深入的探索之中。陈丹笛子的作品通过缓慢而深入的方式，将关注点放在那些容易被忽略的事物上，诗意地探究了不确定性作为当代生活的基本状态，探索了人类学家安娜·洛文豪普特·辛格所指出的，不可预知的相遇和这种脆弱状态不仅有能力转变我们，而且有能力重新塑造我们。

陈丹笛子的作品曾在巴黎8lithèque空间、柏林时代艺术中心、上海双年展城市项目青策计划、深圳城市 / 建筑双年展、连州摄影节、尤伦斯当代艺术中心、新世纪当代艺术基金会、OCAT当代艺术中心、北丘当代美术馆、Palai艺术展、香港Para Site、匹兹堡大学弗里克美术馆、墨西哥国家数字文化中心、户尔空间、常青画廊、香格纳M50、胶囊上海和广州画廊等地展出。她曾于2020年入围了第八届华宇青年奖。

Born in 1990 in Guangxi, China, Chen Dandizi currently lives and works in Zhejiang Province, China. Chen Dandizi’s practice spans video, installation, photography, and literature. With a distinctive perspective, her works reveal private insights into natural and human landscapes, while simultaneously exposing the broader social structures and individual psychologies embedded within these moments. By employing imagery from the natural world, she creates narrative and emotional bonds that draw our hybrid realities into deeper exploration. Through a slow and attentive approach, her works focus on the easily overlooked, poetically probing uncertainty as a fundamental state of contemporary life. In doing so, she engages with what anthropologist Anna Lowenhaupt Tsing has described as unpredictable encounters and fragile conditions that not only have the power to transform us, but also to reshape us.

Her works have been exhibited at 8lithe?que (Paris), Times Art Center Berlin (Berlin), Shanghai Biennale – City Projects (PSA Emerging Curators), Shenzhen Biennale of Urbanism/Architecture, Lianzhou Foto Festival, UCCA Center for Contemporary Art, New Century Art Foundation, OCAT Shenzhen, Beiqiu Museum of Contemporary Art, Palai exhibition(Italy), Para Site(Hong Kong), Frick Fine Arts Building, University of Pittsburgh (America), Centro de Cultura Digital (Mexico), Hua International (Beijing/Berlin), Galerie Continua , ShanghART M50, Capsule Shanghai and Guangzhou Gallery, among others. She was shortlisted for the 8th HUAYU Youth Award in 2020.

袁铭

Yuan Ming

1997年出生于中国成都，目前居住于法兰克福，从事绘画、雕塑、声音和论文创作。她从历史唯物主义出发，结合自身的离散经历，探索意识形态与道德如何通过物体得以体现，从奢侈品包装到仪式性陈设，她将框架、丝带和首饰盒视为主体，通过这些物件检验阶级、装饰与身份的规范与潜规则。自2019年起就读于法兰克福施泰德艺术学院 MFA，2025年毕业，同时在丹麦皇家艺术学院查尔滕堡雕塑学院师从 Simon Dybbroe M?ller 教授学习。

重要项目：不在场证明（关于空奢侈品盒与礼物经济的系列，进行中），2025；展览： 一色之伤，户尔空间，柏林，2025。文字与声音作品曾在德国和中国的独立及项目空间展出。

Born in 1997 in Chengdu, China, Yuan MIng currently lives in Frankfurt.Yuan MIng is an artist based in Frankfurt am Main working across painting, sculpture, sound, and essay. Drawing on historical materialism and her own diasporic experience, Yuan examines how ideology and morality take shape in objects, from luxury packaging to ritual display. Frames, ribbons, and cases become protagonists that test the codes of class, ornament, and identity.

MFA at the St?delschule, Frankfurt am Main, since 2019; graduation 2025 additionally studying with Professor Simon Dybbroe M?ller at the Royal Danish Academy of Fine Arts, School of Sculpture Charlottenborg, Copenhagen.

Selected projects: ALIBI(ongoing series on empty luxury boxes and the gift economy), 2025; participation in A Single Hurt Color, Hua International, Berlin, 2025.Writing and sound works presented in independent and project spaces in Germany and China.

关于户尔空间

About Hua International

户尔空间（Hua International）是一家位于柏林与北京两地的当代艺术画廊，展览、出版和公共项目致力于跨学科及行为表演的艺术实践。画廊专注于发展与艺术家长期动态的合作关系，以其地理上的两地性为依托，扩展艺术家及其作品在迥异文化背景下的展览和接受。

以 XC.Hua 为名，经历了两年实验艺术策展项目运营积累后，花笑婵于2020年8月正式更名成立了户尔空间（Hua International），并在北京798艺术区、柏林历史悠久的当代艺术中心之一麦卡托庭院分别设立空间。在常驻两地空间之外，户尔空间也在国际知名的艺术博览会展示其艺术家作品。

Hua International is a contemporary art gallery located in Berlin and Beijing whose exhibitions, publications, and public programming supports cross-disciplinary and performative artistic practices. The gallery focuses on developing long-term relationships with its represented artists and leverages its geographic bilocation as a means to critically expand how their work can be presented and received in radically diverse cultural contexts.

After two years curating the experimental art and performance project XC.Hua, Xioachan Hua founded Hua International in August 2020 and inaugurated the new gallery with spaces in Berlin’s historic Mercator H?fe and Beijing’s acclaimed 798 Arts District.