新展 | 风景与想象之间——意大利当代艺术在中国

展 期：2026年5月29日-8月5日

地 点：广东美术馆新馆二楼 5、6号厅

（地址：广州市荔湾区白鹅潭南路19号）

开幕式：2025年5月29日 下午4:00

（开幕式结束后，现场将会举行导览，欢迎各位观众现场参与。）

主办单位：广东美术馆

支持单位：中艺国际

策展人：王绍强

执行策展人：张修中

Date: May 29th, 2026 to August 5th , 2026

Venue: Hall 5/6, 2F, Guangdong Museum of Art (BAIETAN)

（Address: 19 BAIETAN South Road, Liwan District, Guangzhou, Guangdong）

Opening Ceremony: 4PM, May 29th, 2026

(There will be an onsite guide tour after the ceremony. All visitors are welcomed to participate.)

Organizer: Guangdong Museum of Art

Supporting Organization: Zhong Art International

Curator: Wang Shaoqiang

Executive Curator: Zhang Xiuzhong

本次展览从西方美术史中“观看”的概念出发，强调观看不仅是视觉行为，更涉及人如何理解存在、时间与记忆，并在世界中重新定位自身。当代艺术的意义，在于不断打开感知的可能性，使人重新辨认光、物、人、自然与记忆之间复杂而细微的关系。

展览呈现多条相互呼应的创作线索，形成一种具备整体气质但不依附单一风格的当代艺术图景。作品多以具象为基础，却带有诗意与抒情性，构图沉稳克制，呈现出一种更接近地中海文化语境的温和节奏，使观看本身成为时间的沉淀过程。

其中，“光”被重新理解为组织感知与经验的媒介，而非单纯的照明条件；“自然”则不再是原初风景，而是被现代生活与工业文明持续改写的现实场域，呈现出美与污染、真实与变异交织的复杂状态。同时，图像不再只是再现工具，而被置于生成机制与观看结构之中，使其承载的时间、记忆与文化层层显现。在更深层的探讨中，作品进一步延伸至生命与非人存在、形式与精神性之间的关系，促使观众重新思考人类自身在世界中的位置。

本次展览由广东美术馆发起，延续其在当代艺术研究与国际交流中的长期实践，旨在岭南这一多重文化交汇之地，构建一个更开放的对话空间，并在当代语境中重新思考艺术与观看的意义。

This exhibition departs from the concept of “seeing” in the history of Western art, proposing that viewing is not merely a visual act, but also a means through which human beings comprehend existence, time, and memory, and reposition themselves within the world. The significance of contemporary art lies in its capacity to continuously expand the possibilities of perception, allowing viewers to re-encounter the complex and subtle relationships between light, objects, human presence, nature, and memory.

The exhibition brings together multiple interconnected artistic trajectories, forming a contemporary artistic landscape defined by a shared sensibility rather than a singular style. While many of the works are grounded in figuration, they are imbued with a poetic and lyrical quality. Their restrained compositions and measured rhythm evoke a sensibility closer to the cultural atmosphere of the Mediterranean, transforming the act of viewing itself into a process of temporal sedimentation.

Within these works, “light” is reinterpreted not simply as a condition of illumination, but as a medium that structures perception and experience. “Nature,” meanwhile, no longer appears as an untouched landscape, but as a reality continuously reshaped by modern life and industrial civilization — a complex terrain where beauty and contamination, authenticity and mutation coexist. At the same time, the image ceases to function solely as a tool of representation; instead, it is situated within mechanisms of generation and structures of viewing, revealing layered dimensions of time, memory, and culture. On a deeper level, the exhibition further extends its inquiry toward the relationship between life and non-human existence, as well as between form and spirituality, prompting viewers to reconsider humanity’s position within the world itself.

Initiated by the Guangdong Museum of Art, the exhibition continues long-term engagement with contemporary art research and international exchange. Situated within Lingnan—a region shaped by multiple cultural intersections the project seeks to construct a more open space for dialogue, while reconsidering the meaning of art and perception within the contemporary condition.