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这是现场｜角力：一棵北方的植物在杭州找到了自己也找到了杭州

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关于作品

作品材料：收集雨水37升、古清波门到古湧金门路上的带有雨痕的梧桐树的树皮、将军路上的梧桐树的树根、驻留期间写的文字、透明塑料袋、水彩、丙烯

Materials: 37 liters of collected rainwater; bark from plane trees bearing rain traces collected along the route between Qingbo Gate and Yongjin Gate; roots from a plane tree on Jiangjun Road; texts written during the residency; transparent plastic bags; watercolor; acrylic

继续试验在北京c5展览落地的一些思路：在空间里建造“创作时我给予自己的环境”，以及我比较关注的：观看作品时的方向。另外比较感兴趣艺术驻留里“在地性”这个关键词，它可以使用这个地区的材料与自己建立联系的可能性。

把耳朵、眼睛、身体、脑袋全部交给了这座城市，紧张着、灵敏着、发现着，在这个城市里游荡，在物理空间游荡、在我的精神空间游荡，游荡着...在古清波门到古湧金门的大梧桐树身上找到了我感兴趣的材料：雨痕。游荡着...在将军路找到了“北方植物”感的材料：梧桐树的树根。

六月份置身在梅雨季节的杭州，本来绿色都要溢出来的杭州加上雨水每天的拍打，绿色更加放大了，让我视觉错位的感觉到下的雨应该是绿色的。用收集来的雨水混合绿色的颜料在空间里下了一场绿色的雨。

而游荡在闷闷的梅雨季节的我，每天都像在水里游荡着。将驻留期间写的文字泡在收集的雨水里被透明的塑料袋包裹着,正是“在这个气候里我的状态”。

角力

This work continues a series of ideas first explored in my exhibition at C5CNM in Beijing. I sought to construct within the exhibition space the environment I created for myself during the process of making the work, while also paying close attention to the orientation from which the work is encountered. Another point of interest is the notion of site-specificity within an artist residency—the possibility of establishing a relationship with a place through the materials it offers.

I entrusted my ears, my eyes, my body, and my mind entirely to this city: remaining alert, sensitive, and receptive as I wandered through it—wandering through its physical landscape as well as through my own mental terrain. Along the avenue of towering plane trees between Qingbo Gate and Yongjin Gate, I found a material that deeply interested me: the traces left by rain on the bark. Continuing to wander, I arrived at Jiangjun Road, where I encountered another material that evoked the feeling of a "northern plant": the exposed roots of the plane trees.

Living in Hangzhou during June, at the height of the plum rain season, I found myself immersed in a city already overflowing with green. Under the relentless rhythm of daily rainfall, that greenness seemed even more amplified, creating a visual disorientation—as though the rain itself had become green. Using the rainwater I had collected, mixed with green pigment, I created a rain of green within the exhibition space.

As I wandered through the heavy, humid atmosphere of the monsoon season, each day felt as though I were moving underwater. The texts I wrote during the residency were submerged in the collected rainwater and sealed inside transparent plastic bags. They embody precisely the state I inhabited within this climate.

JueLi

*前期搜集材料的文件档案

拍摄：王家骏 Jiajun Sean Wang ??

柳浪闻莺艺术驻留（OSWAR）第九组：角力

这是展览｜角力：一棵北方的植物在杭州找到了自己也找到了杭州

关于艺术家

角力（JueLi），生于漯河，目前生活工作于北京。长期由“植物性神经即自主神经。人类应该像树一样活着”获取力量，以其为内源进行艺术创作。作品涉及装置、绘画、artists’book、自出版、雕塑等。策划OneTreePerson项目专注于自出版。

参展经历:

2026年4月个展“灵魂说出自己的在场”，C5CNM,中国北京。

2024年8月参展“Around Publishing”，E.SCAPE 艺术空间，中国上海。

2023年6月参展some doors-ART BOOK，日本京都。

2022年8月个展“Time Wet By角力作品展”，Champochic Gallery，中国厦门。

2021年3月个展“Time Wet By角力作品展”，suzuki shop，中国北京。

2020年9月参展“青年艺术家联展”，A4国际驻留艺术中心，中国成都。

2019年7月参展“TOKYO ART BOOK FAIR”，东京都现代美术馆，日本东京。

2019年1月个展“boooooooook”，suzuki shop，中国北京

2017年2月参展“THE 6TH BIENNIAL CODEX BOOK FAIR”，美国伯克利。

柳浪闻莺艺术驻留项目（OSWAR）于2024年由啥空间（Schein Space）发起，选择在一个开放式的空间展开——这里没有高墙与围栏，而是一扇可以推开的门，一个临湖、临柳、临宅、临声的流动性所在。在驻留项目的实践中，我们尝试探索一种不依赖展览中心逻辑的工作方式，转向更“透明的、不确定的、协作的”创作状态——这不只是艺术家的自我表达，更是一种与环境、人群和日常发生关系的过程。我们鼓励和支持艺术家在驻留期间进行创作、交流、参与、公开，我们扎根杭州，希望能为杭州的艺术生态提供氧气。